Tuesday Night Comics Podcast 111 – Yvonne Strahovski & Sean Maher Interviewed!

Deadpool! That’s what’s on our minds this week! Billy and Dave both saw Deadpool in the theater and also read Deadpool Vol 1: Dead Presidents!

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Plus, at the end of the episode, we have a special treat for our listeners. Billy attended the Batman: Bad Blood premiere in New York City and interviewed Yvonne Strahovski (Batwoman), Sean Maher (Nightwing), Travis Willingham (Heretic) and Director Jay Oliva!
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Batman: Assault on Arkham – Review

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I’ve touted the team of screenwriter Heath Corson and director Jay Oliva before in my review of Justice League: War, and they live up to that high praise with the newly released Batman: Assault on Arkham.  This movie, the latest in DC’s direct-to-video releases, takes place in the same continuity as the Batman: Arkham line of video games. The characters are modeled after the designs in those games, and like in the games, Batman is voiced by perennial Batman voice actor Kevin Conroy. Sadly, Mark Hamill does not voice The Joker.

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What might be the best thing about Batman: Assault on Arkham is that this is almost a Suicide Squad movie in disguise. I say almost, because there is still plenty of the title character in Batman: Assault on Arkham. But the Squad is given as much screen time, if not more, than the Dark Knight. Batman: Assault on Arkham is the Suicide Squad movie we’ve always wanted.

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Corson captured the voices of the individual squad members perfectly. Captain Boomerang and Deadshot barely get along. Harley is psychotic, flirtatious and hilarious all at the same time. And I love that the Amanda Waller we’re presented with is the pre-New 52 Amanda Waller. This Amanda Waller won’t be confused with Vixen anytime soon (unlike her New 52 counterpart). She’s large and she’s in charge.

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Because it’s set outside the regular continuity of DC’s animated movies, Corson and Oliva are given free reign to really play around with the characters. Also, the Suicide Squad definitely lives up to its name, as not all of its members live long enough to appear in a potential sequel. Sure, you know that Batman, Deadshot, Harley and The Joker can’t die, simply based on when this happens in Arkham continuity, but everyone else in fair game.

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Like many other DC Animated movies, the extras are just as good as the movie itself. We get a nice piece on Harley’s history, a preview for Throne of Atlantis that was so good that it has me ready to pronounce that as the next BEST DC animated movie, and some episodes from previous Batman cartoon series.  

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Batman: Assault on Arkham is not a movie I would recommend picking up for the tiny Batfan in your life. It is definitely not small child appropriate. The video games are all rated Teen, and I would consider that an appropriate rating for this movie as well. If you’re not comfortable with your child witnessing the violence and sexual humor in the games, you probably wouldn’t be with this film either. Stick to Batman: The Brave and the Bold for the Bat-tykes.

For the teen to adult fan though, Batman: Assault on Arkham should not be missed!

This review contains Amazon product links. Shopping at Amazon through these links help support Tuesday Night Movies. 

Justice League: War – Review

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A theater full of excited fans and I braved a blizzard in New York City to attend the world premiere of Justice League: War at the Paley Center. I can’t lie, I was both excited and apprehensive when I took my seat. I was excited because Justice League: War represents a new initiative in the DC Animated Universe. Producer James Tucker has a vision of the films now operating under a shared continuity. I was also excited for the talent that Andrea Romano cast to be in the movie. I’m an unabashed fan of Justin Kirk and wanted to see what he brought to Green Lantern. But I still had a lingering apprehension, which stemmed from the source material. I love Geoff Johns and I love Jim Lee, but I found the story in Justice League: Origin to be a bit underwhelming. Not to say I didn’t like their run on Justice League. I own all of the issues and even a page of Jim Lee’s original art from #5. I just wanted more from that story.

Justice League: War brings the more.

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Screenwriter Heath Corson and Director Jay Oliva make a number of improvements to the Justice League: Origin story in Justice League: War. My favorite line in Justice League: Origin, “Who’s Bruce Wayne?” is still here, but it’s moved much earlier in the story. It definitely works better in its new spot. Later, Bruce’s unmasking to Hal, which I remember being a big sore point for fans when the comic was released feels much more organic in the movie. The scene is now an inspiring one and seems to fit perfectly into the narrative. The biggest change to story is Vic Stone’s transformation into Cyborg. In the Justice League comic, his cyborg body is basically built out of a bunch of spare parts that his dad had lying around. But in the movie, his cyborg half stems from the techno-organic virus-like goo that transforms beings into parademons. I feel this new origin works better, because it gives Victor something to overcome. Vic is still saved by his father Silas when he’s near death, but this method gets Vic back in the game much more quickly.

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Corson’s humor definitely shines in the script, and because of that, I feel that this is a superhero movie that non-comics fans can enjoy alongside comic book fans. It has that same wink and a nod tone that the best episodes of Justice League Unlimited had. Whether it’s Batman and Green Lantern’s verbal jabbing, the ice cream scene with Wonder Woman, or even just the reactions characters give to certain lines, the humor makes this movie stand out. And don’t think for one second that this comes at the cost of making the movie feel silly. Just the opposite. Corson plays the humor in a way that heightens the seriousness of the threat. And it makes sense. Thematically, Darkseid is the absence of all joy, so of course the heroes should have a tinge of mirth to them.

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Jay Oliva can really direct a fight scene. At NYCC, Jay said he wanted Justice League: War to be balls to the wall action, and man did he deliver! This might be the most action-heavy DC animated movie yet. The movie revs up quickly and does not slow down for the most part. Oliva does take small breaks from the action, but this keeps things from getting monotonous. There’s a fine line that separates great action from overdoing it, and Jay walks that line well.

As you watch the movie, you may notice the pace of the story has been dramatically increased. In the comic, the story played out over a few days, but here it’s been reduced to one night. It’s almost like Justice League: 24. The shortened timetable both increases suspense and raises the stakes.

I really liked the character design work by Phil Bourassa. He took Jim Lee’s New 52 designs and improved on them for the movie. This is particularly true for the parademons. Gone are the bugged out red eyes that defined Lee’s parademons for me. Bourassa’s parademons don’t even have eyes…unless that’s them on their chins. Bourassa also designed a very cool Wonder Woman costume. It’s the most athletic looking Wonder Woman costume I can remember, while retaining all of Wonder Woman’s iconic pieces…the tiara, the bracelets, the lasso, the boots and the chest plate symbol.

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Andrea Romano cast what I would call a perfect cast for this movie. Sure, I’ll always want Nathan Fillion to voice Green Lantern and Kevin Conroy to voice Batman, but they’re not always available, and you will not hear any complaints from me on the casting of Justin Kirk and Jason O’Mara in their stead. Christopher Gorham’s take on The Flash is what I found most interesting. It’s definitely not the voice for Barry Allen that I hear in my head when I read the comics, but his choices on he played Barry make sense. He gives Allen a definitive cop voice, which makes sense, because Allen is a cop. I think Gorham and Romano took a risk with playing Barry Allen this way, but it’s a risk that paid off. Gorham speaks quickly as he voices The Flash. He has a knack for speaking quickly. During the panel after the screening, he let the audience know that he’s a trained auctioneer. You can listen to clip of him training the audience on how to be an auctioneer right here:

In my opinion, Justice League: War is the new reigning champ among DC animated movies. And I say this as a HUGE fan of Under the Red Hood and Batman: The Dark Knight Returns Part 1 and Part 2. I think the crew there are operating on all cylinders, which makes me very excited for Batman: Son of Batman, their next release. If you are a fan of the Justice League, consider Justice League: War a must-see!

Justice League: War is available for digital download right now and will be released on Blu Ray and DVD on February 4. You can preorder it on Amazon right now.

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“Where’s The Flash?”

Tuesday Night Movies is running a contest where one lucky winner will take home a copy of Justice League: War, signed by Christopher Gorham of Covert Affairs, who voices The Flash in the movie. While interviewing him at the premiere last night, I pointed out that The Flash wasn’t on the poster for Justice League: War. The fan who makes the best poster for Justice League: War that includes The Flash will win a signed Blu Ray combo pack of Justice League: War by Christopher Gorham and a follow from him on Twitter! You can find all the details on how to enter here.

Director Jay Oliva Talks Justice League: War

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In the third and final installment of my interviews with the crew from DC Animation at NYCC regarding the upcoming Justice League: War animated movie, I sat down with Director Jay Oliva. Jay is no stranger to directing animation, as he’s already directed Green Lantern: Emerald Knights and the excellent Batman: The Dark Knights Returns Parts 1 and 2, among other things.

Jay explained what makes Justice League: War different from Justice League: The Flashpoint Paradox. “It’s much more ensemble than Flashpoint. In Flashpoint, Flash was clearly the main one.” Cyborg does have a major arc in Justice League: War though.  “In this one, Cyborg is the one the audience can empathize with more, because you see him as a regular guy, and then you see him become the hero he eventually does.” But from the sound of it, unlike in Flashpoint, the story will be more divided among the League members and not mainly focus on one hero. Jay explained, “(Cyborg) has more of an arc. Batman shows up and he’s Batman. There’s no Batman arc…He’s just Batman from beginning to end. He’s just a bad ass all the way through.”

I asked Jay if Geoff Johns, the writer of the Justice League comic that Justice League: War is based on, was involved in the script at all. Unfortunately, Jay didn’t know how much involvement Johns had with the script. “When I start, it’s usually after the script has been written. Then I take over and try to do my adaptation of that,” Jay went on to elaborate.

When you sit down with Jay, the first thing you’ll notice about him is that he very energetic. I think this comes from the huge level of enthusiasm he has for his work with Warner Brothers Home Video. He wants his animated movies to stand out. Jay explained,  “You guys are paying 20 bucks for it. It’s on the same shelf as Man of Steel, Dark Knight, The Avengers. I have to be able to compete with that. I want you guys to say, “Hey, this looks like a good film,” and when you watch it, even though it’s animated, I want it to hold up with the live action stuff out there: balls to the wall action, good storytelling….I’m having fun with this stuff.”

When asked what storyline he’d like to turn into a film, he was very quick to answer. “I would do Gotham by Gaslight,” Jay said. He would go on to namedrop Gotham by Gaslight a few times in our conversation. The dude really likes Gotham by Gaslight. And looking at how he handled The Dark Knight Returns, I bet he could do a stellar job on the period piece Gotham by Gaslight. Warner Brothers, let Jay Oliva make Gotham by Gaslight!

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Gotham by Gaslight features Batman taking on Jack the Ripper.

Jay also said he’s love to a Kingdom Come movie, but that he wasn’t sure “if we have the technology to do it. It’s too hard. It would have to look like Alex Ross’s watercolors…We don’t have five years for this. We have a one year turnaound.” The 76 minute limitation posed by the budget of the animated movies also comes into play. “I’d love to do 120 minutes,” Jay said, “But the animation studio could not physically do it. Hopefully we can do parts 1 and 2 or more if it sells well….Dark Knight Returns sold really well, so Home Video is seeing hey, maybe we can do two-parters.” I don’t know about you, but if Kingdom Come were done as a four-parter, I’d buy every release!

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“Action, action, action.” That was Jay’s response when asked what we’re going to see in Justice League: War. “The comic is literally an invasion of Earth…It’s about a group of heroes who are powerful, but couldn’t take down Darkseid by themselves. So they have to band together to take down this greater evil. Personalities clash. Superman and Batman, whenever they meet they gotta fight. They’re so polar opposite…Ultimately, they become the team we all know and love,” Jay said. He also confirmed that we will see Apokolips, the home of Darkseid and his parademons in Justice League: War. But Jay also pointed out that, “We don’t see any New Gods, which I would have loved to put in there. It’s strictly just Darkseid and his parademons.”

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Jay has worked for both DC and Marvel’s animation divisions and was candid about the differences between the two. “From my own experience, the DC stuff I work on, they leave us alone…I don’t have to show my storyboards to the president of animation…They trust us. They know that we’ll do good work,” said Jay. Comparitively, he said about Marvel: “At Marvel, there’s a lot of hands in there. Mind you, I haven’t worked for them since they were taken over by Disney…I would never have been able to get away with The Flashpoint Paradox at Disney. Never.” That said, he also mentioned that he would love to work for Marvel again one day, “but right now I’m enjoying the freedom I have here,” meaning at DC. Going by the quality of his output at DC, I hope Jay Oliva stays with them for a long time.

The February 4 release date for Justice League: War is approaching quickly. Have you made your pre-order yet?