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Boy Wonder (On The Couch 2012 #5)

Back in October, at New York Comic Con, I had the opportunity to interview Michael Morrissey, the writer and director of Boy Wonder. You can read that interview here. At the time that I interviewed him, Boy Wonder was making its New York City premiere, which Michael was nice enough to offer me tickets to a screening. Unfortunately, I couldn’t make the screening, but definitely planned on seeing Boy Wonder.

I just didn’t think it would take this long for me to see it.

I shouldn’t have waited. And neither should you. Boy Wonder is awesome.

Don’t let the title fool you. This isn’t the story about a teen prancing around in elf slippers and briefs. This is a dark, psychological thriller. It’s the Batman story if Bruce Wayne was working class. Think Christopher Nolan’s Batman movies minus the costumes and minus Bruce Wayne’s inheritance.

Wrong Boy Wonder.

One thing I really liked about Boy Wonder is how local it is to Brooklyn. This isn’t Chicago masking as Brooklyn. This is Brooklyn. The movie opens on the Brooklyn Heights Promenade. The criminal court on Schermerhorn Street downtown makes an appearance and the NYCT subway system in Brooklyn hosts some of the most intense scenes in the movie. If you live or work in Brooklyn, you’ll probably recognize at least a few settings in the movie.

I only have one nitpick with how Brooklyn was used. During the chase at the Union St stop on the R, after Shawn leaves the train, he’s running through a much bigger station, which I thought was Atlantic Ave. This did take me out of the movie for a second. Union St is a tiny station and Atlantic Ave is a big complex. Why show him clearly getting off at Union St? Why not just have him get off at Atlantic Ave for the sake of continuity? Then again, it makes sense from a production point of view. I’m guessing it’s much easier to get a permit to film on the platform of a not-busy station like Union St than it is to get one for the constantly busy Atlantic Ave.

But seriously, that was my biggest problem with the movie: a subway station not matching up to reality. That says a lot, doesn’t it.

I really like the ending of the movie. I’m not going to spoil anything here. It didn’t end the way I thought it would have, but I was very satisfied with Boy Wonder’s final scenes.

I’m feeling there will be a bunch of Boy Wonder cosplayer sightings at NYCC and Halloween this year.

If you’re a fan of Marathon Man, Nolan’s Batman films or just like your superheroes with a touch of realism, definitely check out Boy Wonder.

Written by Billy Henehan

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Talking Trailers: The Dark Knight Rises and Les Miserables

 Warner Bros released a new trailer for The Dark Knight Rises this week! Have you watched it yet? Does it make you as excited for the movie as I am?!

Anyone know doubted Thomas Hardy as Bane should cast their doubts aside after seeing this trailer.

Based on this trailer, I’m expecting the score of The Dark Knight Rises to be as nuanced and amazing as the score for The Dark Knight. I cannot wait for this movie to open.

It occurred to me when I saw the Les Miserables trailer that Anne Hathaway is in both movies that I’m most excited for in the second half of 2012.

Both of these movies look amazing. Which one are you more excited for?

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Pittsburgh Comicon 2012 Wrap Up

I had a chance to attend the Pittsburgh Comicon for the first time ever this year. Pittsburgh is a comic book convention I’ve wanted to attend for years. One of my favorite artists, George Perez, is a perennial attendee at Pittsburgh, and I was always jealous of the people in Pittsburgh who got to see him year after year. So when the opportunity arose to head to the ‘Burgh this year for Pittsburgh Comicon, I jumped at the opportunity.

I was completely spoiled by staying at the Monroeville Doubletree. It’s right across the parking lot from the Monroeville Convention Center, where the convention takes place. Living in NYC, I usually bring the bare minimum of items with me to a convention. Who wants to lug a heavy bag on the subway and carry it around all day? As I outlined in my lead-up to NYCC 2011, if I want something signed, I’ll buy it on the show floor. But being so close to my hotel room in Pittsburgh made it possible to change out items throughout the day, which led to me getting my massive Amazing Spider-Man Omnibus signed by Stan Lee. That Omnibus was on me for about 10 minutes more than it took to wait on Stan Lee’s line. Then it was back in my hotel room, much to the happiness of my back.

What I loved most about attending Pittsburgh Comicon is that it is the best parts of a big con and small mixed together. There were big name guests there, but scale was smaller, which led to better interactions between creators and fans. It reminded me a lot of a version of the much missed annual Ramapo Comic Book Conventions in New York from the 80s and 90s.

If you ever attend a con that Barry Kitson is attending, head to his table! I met Barry for the first time this year, and he absolutely awesome! He sits behind his artist’s table doing ink and watercolor illustrations for fans all day. They’re amazingly detailed and FREE. The catch is you have to be patient, and stay at Barry’s table until it’s your turn. The illustrations average about 45 minutes each, so if you’re 7th in line, expect to be there all day. For people who can’t hang out all day, like me, Barry does quick 5-minute head sketches in between the full figure illustrations. Waiting at the table really isn’t a downside though, as Barry, the guys working his table and the fans hanging out could not have been a nicer group of people. I was happy to find out that Barry was an Arsenal fan. We chatted about that day’s match. After getting my sketch, I kind of wanted to just hang out at Barry’s table for the rest of the day anyway. Barry did the below ink and watercolor of Spider-Man in 5 minutes, 8 seconds. Yes, someone timed him.
Other highlights of Pittsburgh Comicon 2011:

-Getting not one, but three sketches from George Perez

Peter Parker/Spider-Man
 Wally West as The Flash
Wonder Woman

-Meeting Stan Lee, getting my Amazing Spider-Man Omnibus signed him and having the following interaction:
Me: You’re my hero, Stan!
Stan Lee: I like your taste, kid.

-Meeting Scott McDaniel, who is one of the nicest guys working in comics, and getting this awesome Spider-Man sketch from him. In case you didn’t realize, I really like Spider-Man.

-Having a crazy run on the roulette wheel at Casino Night and walking away with a 2007 Pittsburgh Comicon/Marvel Zombies poster signed by Arthur Suydam with a Zombie Batman (or is that Black Panther). I was so happy I bought the roulette guys a round afterwards.

-The Pittsburgh food. I missed out breakfast at Pamela’s. But I did get dessert at Gullifty’s in Squirrel Hill twice, had a great bowl of alligator chili at Fuel and Fuddle in Oakland, and drove out of town with a pack of smiley face cookies from Eat N’ Park. I think I put on 10 lbs every time I visit Pittsburgh. And I can’t wait to come back next year!

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Drive (On The Couch 2012 #4)

Going into Drive, I wasn’t sure how I was going to feel about it. It seemed to be a very polarizing movie. Almost everyone I know who has seen it either loves it and thought it was robbed at the Oscars or found it slow and unwatchable. Now that I’ve seen it, I can say that while I don’t think it was robbed of an Oscar nomination, I definitely fall on the side of people who liked the movie.

I thought Drive was very well paced, so I don’t get people who found it too slow.

Ryan Gosling gives what appears to be another seemingly effortless performance as the unnamed driver in Drive. By effortless, please don’t think I’m calling him lazy. I’m not. I’m amazed by Ryan Gosling as an actor. He seems to fall into each character he plays so easily. It never seems like I’m watching Ryan Gosling play a character as much as it feels like watching Ryan Gosling now as a that person.

For a movie with not that many violent scenes, I was amazed at how violent the violence was on screen. When Ryan Gosling is stomping a hole in that guy’s face in the elevator, I recoiled the same way as when I saw the “eat the sidewalk” scene in American History X.

My only knock against Drive is that I didn’t get the point of the neon title logo and 80s-esque synth pop soundtrack. The movie takes place in the present day, right? Is it supposed to be evocative of 80s movies, or am I just reading too much into things?

Who wants to buy me this jacket?

Since seeing Drive, I’ve developed a habit of hanging my watch from my steering wheel and telling people they have five minutes to get back in my car before taking them on a high speed car ride. There’s no way this is going to end well…

…Oh, and in my head, this is what I look like.
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The Avengers (At The Theater 2012 #6)

Yes! Yes! Yes! Yes! Thank you Josh Whedon! So many people predicted in the press that you couldn’t bring all these A-list Hollywood actors together, put their egos behind them and create a great ensemble film. Those people were so wrong. Could The Avengers have been more perfect? I was grinning during this movie from the opening scene through the second end credits scene. You did stay for the second end credits scene, right?

Actually, I was grinning from the Dark Knight Rises and Amazing Spider-Man trailer through the end of the movie. I thought last year was the year of the comic book fan at the movie theater. But clearly, it’s this year.

I liked Edward Norton in The Incredible Hulk, but Mark Ruffalo as the Hulk makes me want a Hulk movie.

SPOILERS AFTER THIS PICTURE OF THE HULK PRACTICING SHOT PUT!

Like anyone affected by the deaths of Wash and Shepherd in Serenity, I had a feeling that Joss Whedon was going to kill off a fan favorite in The Avengers. I didn’t know who it would be. Black Widow? Hawkeye? But Agent Coulson? Why?! No!! Damn you, Whedon!

RIP Agent Coulson
How awesome was it when Iron Man said “Cap’n”?

First end credits scene: Thanos! Thanos! Thanos! Are we getting The Infinity Gauntlet in Avengers 2? Please say yes. What about the Thanos Copter?

Not his best moment.

Second end credits scene: They went out for shawarma! Awesome! Wait, what is shawarma?
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Win an Autographed Copy of The Mapmaker and the Ghost!

You might remember Sarvenaz Tash from her awesome guest post here last October about attending her first comic book convention at NYCC 2011.

Well, her debut novel was just released this week and she is giving away a very special copy of it. Not only is it autographed by Sarvenaz, but it has been remarqued with hand drawn illustrations by the awesome artist Graig Kreindler. Here’s some of the illustrations Graig did for the book:

 Pretty awesome, right?

The title page, signed by both Sarvenaz and Graig.
  
This book is truly one of a kind, and the winner gets an armful of other prizes as well! 

Head over to Sarvenaz’s blog for all the details on how to enter. But do so quickly! The contest closes Tuesday, May 1.

If you’re going to be in the NYC this weekend, BookCourt is hosting the release party for The Mapmaker and the Ghost on Saturday night. Sarvenaz will be doing a reading and signing copies of the book. And from what I hear, there will be some very delicious cupcakes on hand. Details can be found here.

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On The Couch 2012 #4: The Twilight Saga: Breaking Dawn Part 1

If it weren’t for Rifftrax, I probably would have gone my whole life without having seen the incredibly long titled The Twilight Saga: Breaking Dawn Part 1. But after watching the original Twilight movie with its accompanying Rifftrax, I knew I had to see this movie once its Rifftrax was available.

Breaking Dawn should not be watched without its Rifftrax under any circumstances! In fact, subjecting someone to Breaking Dawn without Rifftrax is a violation of most international articles of war and can be classified as extra cruel and unusual torture.

But with Rifftrax, this movie becomes quite possibly the funniest movie you will see this year. I cannot recommend it enough. You will be laughing from beginning to end. The Rifftrax is available at www.rifftrax.com. It’s $4 you not regret spending.

“Um…line?”

We double featured the Rifftrax of Breaking Dawn with the Rifftrax of Karate Kid Part III. If there are three movies you need to see with their Rifftrax, they are Twilight, Breaking Dawn and Karate Kid Part III.

Like the Twilight films, Karate Kid Part III is a ridiculous movie and is ripe for the Rifftrax treatment. I think the Breaking Dawn Rifftrax was funnier, but that may be because Karate Kid Part III is the better movie, despite having the most absurd villain ever.

There is no movie villain more ludicrous than Terry Silver.

The makers of Rifftrax should be awarded medals of honor. No one should have to watch Breaking Dawn as many times as they did without Rifftrax.

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At The Theater 2012 #5: The Hunger Games

Without a doubt, the best part of The Hunger Games is Stanley Tucci’s performance at Caesar Flickerman, the Ryan Seacrest/ESPN Announcer mash-up who handles interviews and play-by-play kill-by-kill updates of the tributes. Regular readers of Tuesday Night Movies should not be surprised by this. I think almost every movie would be better if Stanley Tucci were in it.

Best. Thing. About. This. Movie.

When I first heard that Stanley Tucci was being cast in The Hunger Games, I thought he was an obvious choice. When I then heard that he was cast not as Katniss Everdeen’s personal Tim Gunn, the designer Cinna, but would be playing Caesar Flickerman, I thought it was a bone headed move. Stanley Tucci is the best at playing the fairy godmother role. But then I saw him as Caesar in the movie. He knocked it out of the park. When The Hunger Games DVD comes out, I want there to be a picture-in-picture running through the whole movie of Caesar Flickerman giving play-by-play. It would make every scene in the movie better.

Also, since seeing the movie, I cannot stop announcing in a Stanley Tucci as Caesar Fleckerman voice, “Katniss Everdeen, the girl on fire!!!”

Don’t mistake me, I thought The Hunger Games movie was a very good adaption of Suzanne Collins’s book. I was worried that the movie would be bogged down in exposition, explaining the dystopian world of The Hunger Games and the genetically engineered beasts used to take out the tributes once they’re in the arena. Despite there being a lot of movie before we ever see the arena, I felt the movie was constantly moving the plot forward and not getting lost in exposition. A big part of this was using Caesar to explain things in his play-by-play to the viewers at home the same way the narrator of Ninja Warrior explains the course to TV audiences. Purists may bristle at this change from the book. But if a change that minor gets your feathers ruffled, you’re better off never seeing movies based on books you’ve read.

One minor quibble I have with The Hunger Games is that when Peeta is training, they make a huge deal about how strong Peeta is, he routinely throws 100 lb bags of flour. We then never see him use this strength. He somehow uses his cupcake decorating skills to camouflage himself completely into the background scenery, but never does his Hefty Smurf strength come into play.

Awesome Walking Dead cosplay, bro.

Okay, make that two minor quibbles. What’s up with Woody Harrelson’s hair in The Hunger Games? Dutch painter boy, really?

“Katniss, whatever you do, don’t let Cinna touch your hair. Learn from my mistake!”

I’m looking forward to Catching Fire. It’s my favorite of the three Hunger Games books. More Tooch as Caesar and the introduction of Aquaman Finnick, my favorite character in the series. The odds are ever in my favor.

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On the Couch 2012 #3: Horrible Bosses

If you like comedies, go see Horrible Bosses. It is a very, very funny movie and if it weren’t for Bridesmaids, I would say it is the funniest movie of 2011.

Horrible Bosses at its core is a concept that most people can relate to, three buddies who each hate their bosses. It’s not something I can relate to, my boss is awesome (especially if he’s reading this blog right now). But even I have had a bad boss or two in my career (but not my current one! Again, he’s awesome!).

I feel like more people would have went to see Horrible Bosses in the theater if the commercials played up how little clothing Jennifer Aniston’s character likes to wear during the film. Don’t sell it as Charlie Day has a boss who really wants to have sex with him; sell it as Jennifer Aniston wants to get freaky with her employee. If you try to sell it as Charlie Day’s boss want to have sex with him, then the potential viewer has to think about Charlie Day potentially having sex, and while I can’t speak for all of America, that’s not something that I really want swimming around my brain. On the other hand, if you start with Jennifer Aniston really wants to get it on with one of her employees, I don’t even care that it’s Charlie Day, where can I buy a ticket.

Show me less Charlie Day and more of his boss.
This is on the right track, but really, Jennifer Aniston is dressed much more conservatively in these two posters than she is in the movie.
This is how her character actually dresses for work.
Put this image on your poster and you just won your opening weekend.
It was cool that Jennifer Aniston didn’t play the normal Jennifer Aniston role, namely the good girl (but not The Good Girl. She broke type in that movie as well). 

I just realized that between this and Wanderlust, Jennifer Aniston may become my favorite comedic actress of the year.

Back to Charlie Day for a second, he had my favorite scene in the movie. It’s when he’s acting as the lookout after accidentally inhaling Colin Farrell’s cocaine. His antics in the getaway car were hilarious and still make me giggle when I think of them.

Speaking of Colin Farrell, how crazy was his makeover in this movie? I never liked Colin Farrell, but with Horrible Bosses and In Bruges, I’m starting to gain respect for him as a comedic actor.

He said to his stylist, “Give me a Matt Damon circa The Informant.”

If you haven’t seen Horrible Bosses yet, you definitely should, maybe after the next time you get home from a rough day at the office.

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At The Theater 2012 #4: The Artist

I still haven’t seen 6 of the 9 movies nominated for the Best Picture Oscar this year. That said, I will riot if The Artist does not win.

If you haven’t seen The Artist yet, go do so. And see it while it’s still in the theater. Don’t wait for it to come out on DVD. Parts of the movie are shot from the POV of the theater audience, and it looks much cooler seeing that in a theater than it will on your couch.

When the Oscar nominations were announced, I read more than one cynical movie reporter write that Hollywood loves to look at itself, so surely The Artist will win. No, The Artist will win because it is a screen full of AWESOME. Okay, mostly whimsy, but an awesome amount of awesome whimsy.

I loved this scene so much. I could watch it over and over.


Throughout the movie, I kept asking myself, “What does this screenplay look like?” I would love to see it. Was it shorter, but denser than a regular screenplay because it was so action heavy? It will be interesting if The Artist wins Best Original Screenplay at tonight’s Oscars. I hope they read from it when they’re showing the nominees, as they’ve done with Best Screenplay nominees in the past. I want the screenplay to win the Oscar for the same reason that I want Jean Dujardin to win for Best Actor: I don’t think this movie would have worked if either wasn’t so amazing.

Was The Artist a pseudo-telling of Charlie Chaplin’s life? George Valentin is the biggest silent film star. He’s often accompanied by his very cute dog. And his star fell after the advent of talkies. Oh, and they both had signature moustaches…but thankfully, George’s wasn’t shared with the most hated despot of all time.

Cutest dog ever?

Minor spoilers follow after this picture of George silently screaming! Read further at your own peril!

During the scene when sound literally enters the film, and George is hearing everything in the world around him, but can’t make a sound himself, I thought, “Wow! What a twist! The movie is like a Twilight Zone episode! It’s so cool that they filmed this in black and white. Not only does it make sense for the era in which the film takes place, but it also makes sense for this Twilight Zone homage!” And then it turned out to be a dream.

Random thought of this review: How awesome was it to see Dauber from Coach make a brief appearance as a policeman?

It’s T-minus 2 1/2 hours to the Oscars as I write this, so unless you have amazing time management skills, or access to a time turner, if you haven’t seen The Artist yet, you probably won’t before The Academy Awards air. Whether The Artist wins or loses Best Picture, you should definitely see it.