Tag Archives: Leonardo DiCaprio

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The Wolf of Wall Street – Review

the wolf of wall street poster

In my review for American Hustle, I said that it seemed like David O. Russell was attempting to do his best Martin Scorsese. The Wolf of Wall Street almost feels like this is Martin Scorsese’s answer back. “No, this is how you do Martin Scorsese.” Mr. Scorsese does Martin Scorsese to 11 with The Wolf of Wall Street. This movie is the most over the top project directed by Mr. Scorsese since the video for Michael Jackson’s Bad.

It’s The Wolf of Wall Street’s over the top tone that keeps it so entertaining for it’s exactly three hour running time. Yes, that’s right, 180 minutes. The Wolf of Wall Street is two minutes longer than the theatrical release of The Lord of the Rings: The Fellowship of the Ring.  Thankfully, Terrence Winter’s screenplay combined with Scorsese’s directing made for a much faster moving movie than it’s three hour run time would suggest. At no point was I looking at my watch, wondering how much more we had to go.

This is NOT the size soda you want to order for a 3 hour movie.

This is NOT the size soda you want to order for a 3 hour movie.

Following what I would call the classic Martin Scorsese story arc, Jordan Belfort gets really good at doing something bad, is handsomely rewarded for it and then comes crashing down to earth in the end. It’s almost like Goodfellas on steroids. The money that Jordan Belfort makes in The Wolf of Wall Street puts Henry Hill’s biggest heist to shame. Though when the rug gets pulled out from under him, Jordan has a much easier fall than Henry did. They both lose the lives they had, but Jordan’s bounce into his new life seems to have bounced a lot higher than Hill’s, at least in the way that the ending of The Wolf of Wall Street depicts it.

The acting in The Wolf of Wall Street is top notch. Leonardo DiCaprio shows again why he is this author’s favorite actor of his generation. Best Leading Actor Oscar worthy? Not this year, when your competition is Matthew McConoughey in Dallas Buyers Club and Chiwetel Ejiofor in 12 Years a Slave. That said, this continues the streak of Leonardo DiCaprio films being films you should see.

Jonah Hill is great as Belfort’s right hand man, Donnie Azoff. Hill has the most entertaining line in the whole movie when he lets out, “I want…to smoke crack…with youuu!” shortly after meeting Belfort. This will be the line I quote most from the movie.

According to IMDB, Matthew McConoughey’s chest thumping at lunch was McConoughey’s idea, and not something that happened that lunch in real life. This makes sense, as that scene is pure McConoughey. That chest thumping is a warming ritual McConoughey does before acting.

We caught The Wolf of Wall Street at the excellent 84th and Broadway AMC. Dear New York City, why would you go to any other movie theater? This one rocks. Barcaloungers, reserved seats, a well stocked snack bar, what more could I want? If a movie I want to see is playing in this theater, I want to see it in this theater.

tommy popcorn

This size popcorn is 100% the right size popcorn for a 3 hour movie.

Yes, The Wolf of Wall Street is three hours long. Yes, the f-bomb is dropped over 500 times in the movie. Yes, there’s a lot of drug use, nudity and unsavory characters. And also…yes, you should definitely see it.

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The Great Gatsby – Review

4/5 – See this in 3D!

Here’s a piece of advice I never thought I’d be giving for a film adaptation of The Great Gatsby: see it in 3D. Seriously, no joke. See it in 3D. “But 3D is stupid! It never adds anything to the movie except three dollars to the ticket price!” you exclaim. Most of the time, I agree with you 100%. But it’s worth it with Gatsby.  Trust me. Baz Luhrmann makes very good use of 3D tricks to make a beautifully shot movie look even more beautiful. It’s not just people reaching out from the screen towards the audience, aka every other 3D movie. It’s the way Nick’s reflection shimmers in a window, or the way the green light from Daisy’s dock glows across the bay. This is 3D all grown-up, not the adolescent stunts it’s usually associated with.

The Great Gatsby is a very good movie. I doubted it, based on the trailer. And then the movie came out to middling reviews and I doubted it more. The trailer looked beautiful, but I worried Baz Luhrmann would give in to excess and make it too over the top. But instead, he strikes a great balance between energy and elegance. The entire movie is shot beautifully and paced excellently.

I think Leonardo DiCaprio has over taken Joseph Gordon Levitt as my favorite actor of the 2000s. Looking at DiCaprio’s track record from 2002 onward, when he starred in Gangs of New York opposite Daniel Day Lewis, you would be hard pressed to find a bad movie. Note: As of today, I haven’t seen The Aviator, Body of Lies, Revolutionary Road or J. Edgar. But even if those four movies were clunkers, the remaining films are all high quality. These days, you can pretty much bank that if you’re going to see a Leonardo DiCaprio movie, you’re going to see a good movie. How many other actors without the initials JGL can you say that about?

I don’t know anything about The Wolf of Wall Street other than Leonardo DiCaprio stars and Martin Scorsese directs.
I’m doubly sold.

I forgot that Carey Mulligan played Daisy Buchanan in this movie. While watching it, I kept thinking I was looking at Michelle Williams, and then at one point, I couldn’t tell if she was Michelle Williams or Katie Holmes in a blonde wig. She didn’t have Holmes’s signature half-smirk, but she sounded more like Holmes than Williams and looked more like Williams than Holmes. Then the credits rolled. Carey Mulligan. Huh. It turns out Carey Mulligan is who you get if Michelle Williams and Katie Holmes have a baby in some out-of-left-field Dawson’s Creek subplot.

Dawson, it turns out it wasn’t Pacey you had to keep an eye on.

See The Great Gatsby in the theater in 3D. Otherwise, you might as well wait to see at home.

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On The Couch #35: Shutter Island

In honor of Halloween, all of October’s On The Couch movies are going be creepy, kooky and all-together spooky. This is going to be hard work for me, as I’ve never really been a fan of horror movies; I’ll take a good comedy over a good horror movie any time, mainly because comedies don’t give me nightmares. But a theme’s a theme, so away we go…

Shutter Island isn’t a horror movie, but it has a lot of the traits of a modern horror movie (creepy children, unsteady camera work) while avoiding the most common pitfall among modern horror movies (bad screenwriting). Shutter Island is written very well, and like The Usual Suspects, benefits from multiple viewings (or in my case, the two featurettes included on the Blu-Ray that serve the same purpose as watching the movie again, but for a quarter of the time required).

If we didn’t finish watching Shutter Island at 1 AM, I would have been very tempted to immediately start it up again from the beginning, and really, what’s a better compliment than that?

Back to creepy children for a minute. Is there any horror movie cliché that still manages to frighten more than a ghost-like child who says something ominous is a high pitched voice? I don’t care how much this horror film trope has been overused, creepy children still freak me out. I saw a very pale kid with blue lips asleep on his mother’s lap on the subway a few weeks ago and I was convinced he was either going to a.) dart straight up and say something ominous right before plunging our subway car into the depths of hell or b.) try to eat the other passengers, zombie-style. Either way, I was scared. Mothers of New York City: leave the horror effects to Hollywood! Feed your kids some fruits and vegetables so that they’ll stop looking like they’re demonically possessed or like flesh-hungry zombies.

Creepy old people with stringy hair are almost as freaky as creepy kids.

Leonardo DiCaprio shows in Shutter Island why he is now my favorite actor. Because of the movies I’ve seen him in this year: Shutter Island, Blood Diamond and Inception, I’m willing to give Leonardo DiCaprio a free pass for his next few movies. I won’t need any marketing other than his name, the title and the release date and I’m there.

Shutter Island has a really slow build. Julie, Bryan and I got together to watch it on Friday and not all of us made it through the whole movie awake. The problem with falling asleep during the slower parts of Shutter Island though is that once Shutter Island pays off, it pays off big and quickly, with a lot happening in a very small amount of time, which makes explaining what happened to your sleepy companion a bit difficult. Thank goodness for the featurette in the special features, which can double as cliff notes for anyone who takes a side trip to Slumber Island.

Slumber Island: Not a creepy kid in sight.
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At The Theater #26: Inception

SPOILER WARNING – I’m going to talk about Inception in detail here, including the ending. If you haven’t seen the movie yet, you might want to skip this post until you see it.

Inception is a total mind-fuck. I think this was well expressed by the audience at the theater where I saw it. As soon as the credits rolled, there was a loud wail of anguish from people in the crowd. This wasn’t the same wail of anguish you’d hear at a Last Airbender screening; it wasn’t coming from a poor quality standpoint. The camera just stays on that damn spinning top for so long, then it starts wobbling and…black.  Was Leo awake? Was he still dreaming? To quote a teen in the lobby after the movie: “Christopher Nolan must die!” Again, I think this was coming from a different place than when that was said about M. Night Shamalan from teens after seeing a different movie across town.

 Random Thought #1: The snow-scape dream fortress looked a lot like the sniper board in Metal Gear Solid for the PS1. 

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I really liked Inception. It was like a combination of Lost’s sideways reality, The Matrix and The Sixth Sense. For a very exposition-heavy movie, I think Nolan did a good job of interspersing the exposition so that Inception didn’t feel weighed down by it.

I liked the open-ended ending. At first it looked like that top was going to keep spinning forever and he was still dreaming. But then it starts wobbling and I really hoped it would fall down, because I wanted a happy ending for the guy. But it ended before we could get our answer. Does it even matter? Leo walks away from the top before it stops spinning. It’s as if he said, “this is my real world,” reunited with his kids. If you wake up in heaven, do you question it? Leo risks everything to return to his family, and in the end he’s satisfied that he’s reunited with them to the point that he doesn’t even glance back at the top. But we do. Not that we have a choice, the camera is staring right at, spinning and wobbling away.

 Random Thought #2: Joseph Gordon Levitt in this movie has caused me to want to start wearing vests.

I want to see this movie a second time, largely to watch the wake-up scene on the plane again. I don’t remember what the order was of people waking up. Maybe that gives us some clue as to whether or not Leo was actually awake in the end. Was he the last one to wake up? If he wasn’t, I think would lean heavily towards him being still asleep. Everyone else should have made it out of the dream before him, right?
Inception reminded me a lot of The Matrix, to the point that I’m really hoping they don’t mess up any sequels the way that the ball was completely dropped with the two Matrix sequels. Then again, I have faith in Christopher Nolan. The Dark Knight was my favorite movie of 2008, so I know the guy can do sequels well. But really, I can’t even see where you’d go with this movie in a second one. It works so well on its own. We don’t need Inception 2: The Search for Leo.

Tuesday Night Movies is on a road trip! We saw Inception at Reel Pizza in Bar Harbor, Maine. I love this movie theater. This might be my favorite movie theater. It’s this or LA’s Arclight.

What makes Reel Pizza so great? Basically, it’s the concession stand. While other theaters have branched out from popcorn and candy to include nachos and pretzel bites, you can order pizzas at Reel Pizza. The topping list is extensive. Don’t feel like pepperoni tonight? Why not go for mussels, artichoke hearts or goat cheese? Need something to wash it down with? How about a beer? That’s right, beer. And it’s good beer too. They offer Guinness and selections from local breweries, all for cheaper than what a Bud Light would run you in NYC.

The two theaters were designed with the concession stand in mind. Each row of seats has a counter in front of it to put your pizza tray and beer. The first three rows of taken up by couches and easy chairs. These seats are usually the first to go. TV trays are available for viewers lucky enough to snag these seats. When your pizza is ready, a BINGO board on the side wall silently announces your number to let you know that your pizza is waiting for you in the lobby. They even throw an intermission into each movie so that you can grab another beer, or if you’re hungry, another pizza.

 The Reel Pizza bingo board of pizza readiness.

I haven’t been to Bar Harbor without going to Reel Pizza. If you’re there, it’s a must-stop-at destination.

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On The Couch #24: Blood Diamond

It’s movies like Blood Diamond that remind me how grateful I am that I live in America. My neighborhood isn’t a war zone. There are no armed rebels driving down my street. The closest thing I saw to a conflict this weekend was this note taped to someone’s car as I was walking to brunch:

While Blood Diamond makes me glad to live in America, it really drives home the point that America and other western countries are a major driving force in the bloodshed that stems from the mining and exporting of diamonds with our obsession for big shiny rocks to put on little dainty fingers. The filmmakers never get too heavy handed about it, which I think helps get the message across. Watching the movie, I was too caught up in it as a thriller to feel I was being preached to.

After watching this movies, I’m surprised that there isn’t a backlash against diamonds like there is with fur. No one is dipping women’s hands in red paint and yelling “Diamonds are murder!”

When I told my cousin that The Departed was the movie that made me like Leonardo DiCaprio, he said that Blood Diamond was the movie that did that for him. When I said I never saw Blood Diamond, he insisted that I see it. Since his last pick was the great The Lives of Others, I quickly added Blood Diamond to my queue.

I’m glad I did. It really is a great thriller. The movie is 2 ½ hours long, but it’s a fast 2 ½ hours. And DiCaprio is awesome. I’m really excited for Inception to open up in a couple of weeks.

I wonder how many people after seeing this movie go out of their way to buy a certified diamond. I’d like to think it made that kind of impact on me, but I haven’t purchased any diamond since seeing it, so I make for a lousy case study. I would think Blood Diamond makes an impact on everyone who sees it. But I’m interested in knowing how long that impact lasts. After some time has passed, does the conflict seem much further removed than the immediacy of the dollar sign in front of your face? I’m not judging; I’m just curious. As always, feel free to leave comments below.