The 5 Coolest Things to Come Out of Comic-Con 2013

1. Man of Steel 2 will be Superman/Batman!

With Christopher Nolan and David Goyer heavily involved in both franchises, I’m really hoping that we see a continuation of the continuity established in The Dark Knight Rises. And by that, I mean Joseph Gordon-Levitt in the Bat-suit teaming up with Henry Cavill’s Superman!

2. Avengers 2: Age of Ultron

Avengers 2 has a subtitle: Age of Ultron! Who’s Ultron, you ask? Ultron is a robot created by Hank Pym aka Antman/Giant Man/Goliath/Yellow Jacket. After gaining sentience, Ultron decided that the world would be a more perfect place if humans weren’t on it and set about eradicating all life. Whedon has stated that Hank Pym will not be in Avengers 2. Does this mean Whedon is changing Ultron’s origin so that he’s created by Tony Stark? It makes sense. With Tony Stark having created his AI assistant Jarvis in the Iron Man franchise, do we need another scientist for Ultron’s creation? I’m fine with this change. Thankfully, it looks like Avengers 2: Age of Ultron will have anything to do with Marvel comic Age of Ultron beyond its title and main villain.

While Hank Pym won’t be in Avengers 2, his fans will be happy to know that it will be Hank Pym as Ant-Man in the Ant-Man movie!

3. James Robinson releases Grand Passion through Dynamite

I only recently read Starman for the first time. But since reading it, Robinson has quickly become one of my favorite comic book writers. I was extremely sad to see him leave Earth 2, which he seemed to be setting up for a grand, multi-year run. While we wait for The Saviors, his creator-owned project with J. Bone being released through Image, we have Grand Passion to look forward to.

Dynamite is setting themselves up to be a nice competitor to Image for strong creator-owned projects. Uncanny has been really good. It will be interesting seeing if Dynamite lures more talent for creator owned series that would have otherwise gone to Image, Icon or Vertigo.

4. Karen Gillan chopped off all her hair for Guardians of the Galaxy

So this happened…

The famously red-headed Karen Gillan shaved her head for her role of Nebula in Guardians of the Galaxy. In the comics, Nebula is Thanos’s granddaughter. Thanos was the big blue guy in the scene after the credits in Avengers. Like her grandfather, Nebula is also a villain.

It will be very interesting seeing the usually nice Gillan taking on the role of a villain.

5. Zombified Weezer played The Walking Dead 10th Anniversary Party

I have a soft spot in my heart for Weezer. I played their first album over and over again on repeat in my car in the mid-90s. I was already jealous of people who had access to The Walking Dead 10th Anniversary Party before I heard Weezer performed.

But what’s really cool are the zombified Weezer posters promoting the concert.

The Great Gatsby – Review

4/5 – See this in 3D!

Here’s a piece of advice I never thought I’d be giving for a film adaptation of The Great Gatsby: see it in 3D. Seriously, no joke. See it in 3D. “But 3D is stupid! It never adds anything to the movie except three dollars to the ticket price!” you exclaim. Most of the time, I agree with you 100%. But it’s worth it with Gatsby.  Trust me. Baz Luhrmann makes very good use of 3D tricks to make a beautifully shot movie look even more beautiful. It’s not just people reaching out from the screen towards the audience, aka every other 3D movie. It’s the way Nick’s reflection shimmers in a window, or the way the green light from Daisy’s dock glows across the bay. This is 3D all grown-up, not the adolescent stunts it’s usually associated with.

The Great Gatsby is a very good movie. I doubted it, based on the trailer. And then the movie came out to middling reviews and I doubted it more. The trailer looked beautiful, but I worried Baz Luhrmann would give in to excess and make it too over the top. But instead, he strikes a great balance between energy and elegance. The entire movie is shot beautifully and paced excellently.

I think Leonardo DiCaprio has over taken Joseph Gordon Levitt as my favorite actor of the 2000s. Looking at DiCaprio’s track record from 2002 onward, when he starred in Gangs of New York opposite Daniel Day Lewis, you would be hard pressed to find a bad movie. Note: As of today, I haven’t seen The Aviator, Body of Lies, Revolutionary Road or J. Edgar. But even if those four movies were clunkers, the remaining films are all high quality. These days, you can pretty much bank that if you’re going to see a Leonardo DiCaprio movie, you’re going to see a good movie. How many other actors without the initials JGL can you say that about?

I don’t know anything about The Wolf of Wall Street other than Leonardo DiCaprio stars and Martin Scorsese directs.
I’m doubly sold.

I forgot that Carey Mulligan played Daisy Buchanan in this movie. While watching it, I kept thinking I was looking at Michelle Williams, and then at one point, I couldn’t tell if she was Michelle Williams or Katie Holmes in a blonde wig. She didn’t have Holmes’s signature half-smirk, but she sounded more like Holmes than Williams and looked more like Williams than Holmes. Then the credits rolled. Carey Mulligan. Huh. It turns out Carey Mulligan is who you get if Michelle Williams and Katie Holmes have a baby in some out-of-left-field Dawson’s Creek subplot.

Dawson, it turns out it wasn’t Pacey you had to keep an eye on.

See The Great Gatsby in the theater in 3D. Otherwise, you might as well wait to see at home.

Premium Rush – Review

4/5 – Quite a rush!

I finally caught Premium Rush on Blu-ray this week. I missed it when it was in the theaters. Now that I’ve seen it, I wish I had seen it earlier. I remember not being that excited for it in the theater thanks to the trailer, which it turns out did not do this movie justice.

Premium Rush is an excellent thriller. I wouldn’t have expected a movie that takes place mostly on bicycles to be that entertaining, but Premium Rush really is great. The movie is told mostly in real time, between 5:30 PM and 7:30 PM on a weekday evening. Joseph Gordon-Levitt plays Wilee, a bike messenger with what appears to be a death wish. Granted, anyone who is a bike messenger in New York City is taking their life in their hands every day on the job, but Wilee lives at the edge. He doesn’t have brakes on his bike. He speeds through busy intersections and rides between buses.

Wilee picks up a package that gets him in a mess of trouble. It turns out there’s a McGuffin in this envelope that a bad man would like to get his hands on. It’s the bad guy in the movie, Bobby Monday (played by Michael Shannon), that was the only low point in the movie for me. At times, it just seemed like Shannon was overacting his part. But after watching the bonus features, it seems Michael Shannon might be like that in real life too, just full of crazed energy. So maybe I have to rescind this complaint.

Wole Parks does an awesome job as the other main antagonist in the movie, Wilee’s nemesis Manny. Manny is Wilee’s opposite in many ways. He wears a helmet, has brakes on his variable speed bike and trains daily, while Wilee thinks brakes will get you killed and rides a fixed gear, steel frame bike.

They’re chasing the ice cream man.

There are a few really cool chase sequences in the movie each involving a bicycle vs. something else. Bike vs. bike, bike vs. car, bike vs. pedestrian, they’re all done great. Director David Koepp does a really good job in the bonus features explaining how he wanted the bike chase sequences to each be very different from each other, and that’s what led them to having the bike face off against different modes of transportation.

My favorite of the chase sequences was the first one, with Wilee on his bike being pursued by Monday in his car. During this chase, a bicycle cop goes after Wilee as well. The bikes can go in places that cars can’t, which Koepp takes full advantage of.

It was also very cool to see Wilee’s point of view as he approaches a busy intersection. His decisions on different routes are mapped out on screen, showing which ways are perilous and which one will will work. The decision takes place in a split-second, but it was very cool seeing it mapped out like that.

It looked like at least 95% of this movie was shot on location. They are all over Manhattan, usually on the streets. It was very cool seeing actual New York City all over this movie. I felt like some of the geography didn’t match up during a couple of the chases, but for the most part, they were accurate.

Premium Rush is one of those rare movies where I recommend watching the special features after the movie. They are both very well done and definitely add to the experience of watching the movie.

Five people played Wilee in total throughout Premium Rush!

I wonder if Premium Rush is helping or hurting bike sales in New York City. After watching the movie, I plan on sticking to the subway.

Yeah…I think I’ll walk.

If I were to rank Joseph Gordon-Levitt’s movies from 2012, I’d rank them Looper, then The Dark Knight Rises, then Premium Rush, then Lincoln. How would you rank them? All-in-all, I scored those four movies 17/20 combined. That might make JGL the actor of the year for Tuesday Night Movies.

Oscars Rage!!

What!? Are you kidding me?!

Pardon the rage. The Oscar nominations came out today. I don’t always agree with the nominations, but this year seems particularly egregious.

I have four major problems with this year’s Oscar nominations:

Ben Affleck gets snubbed for Directoring. I was shocked to find out Ben Affleck wasn’t nominated for Directoring. Did you see Argo? If you did, I’m guessing it’s easily in the top five movies you saw this year. It is the best of the movies I’ve seen that was nominated for Best Picture, and the second best movie I’ve seen this year. After seeing the Best Picture nominees, Argo seemed like a shoe-in for the Best Picture winner. But the last time a movie won Best Picture without the director being nominated for Directoring was Driving Miss Daisy in 1989.

I would definitely nominate Ben Affleck for Argo over Steven Spielberg for Lincoln. And I’d give Ben the award too.

Lincoln gets 12 nominations. Lincoln was a good movie. It was not a great movie. Daniel Day Lewis was awesome in it and deserves to win Actor in a Leading Role. He deserves every bit of praise he gets for playing Lincoln.

But Tommy Lee Jones? No way. I loved Tommy Lee Jones in Lincoln, but that’s because I love Tommy Lee Jones, and in Lincoln, Tommy Lee Jones was playing Tommy Lee Jones as a senator. Tommy Lee Jones is the new Jack Nicholson. You can put him in any role you want, but chances are you’re going get Tommy Lee Jones playing Tommy Lee Jones. Like I said, I love Tommy Lee Jones, but I don’t think he should have been nominated.

I saw three movies that Joseph Gordon Levitt was in this year. Out of the three, Lincoln came in third place. I don’t think Lincoln should have been nominated for Best Picture. It was good, not great. Its spot could easily have gone to Looper, the best JGL movie of 2012. But…

Looper was completely snubbed. Best movie of the year. Zero nominations. At the very, very least, it should have been nominated for Best Picture and Writing: Original Screenplay.

Wreck-It Ralph deserved a Best Picture nomination. I thought we were past the days of great animated movies being stuck in the Animated Feature Film ghetto. Wreck-It Ralph was awesome. It lived up to its name and wrecked it. It wasn’t technically a Pixar film, but for all intents and purposes, it was a Pixar movie. And like all Pixar movies that don’t have the word Cars in their title, it rocked. But then again, so did Argo and Looper and the Academy was more than happy to short all three of these movies in favor of gushing over “I’m at least a half hour too long” Lincoln.

I’m watching the 18th Annual Critics Choice Awards while I write this rant. Affleck walked off the stage with the Best Director award. Looper won earlier for best Sci-Fi/Horror Movie. Maybe the Academy should have waited a few days before they released their imperfect list of nominees.

Looper – Review

5/5 – Go see this movie now!

I want to see Looper again; it’s that good. If you haven’t seen Looper yet, do yourself a favor and see it before it leaves the theater. It is my new favorite movie of 2012.

I’m going to spoil major story points in this review, so don’t read any further until after you’ve seen Looper.

Seriously, don’t go any further if you haven’t seen the movie.

Part of what I loved about Looper was the fluidity of who was the hero in the story. Here, I’m considering it necessary to be selfless in order to be considered a hero. If a character acts in his own self-interest, he’s an antihero as best.

Young Joe does a heroic act early in the film when he hides Seth after Seth fails to close his loop. Young Joe is putting his life in danger here. But he quickly sells Seth when his own savings are threatened by his boss as the price for his silence. Seth comes to a gruesome end, largely to Joe’s fault.

When Old Joe returns to the past, he quickly appears to be more heroic than Young Joe. His heroic quest is to come back in time and kill the Rainmaker as a child. The Rainmaker, besides being the criminal kingpin of the future, was behind the killing of Old Joe’s wife and countless others, and sent Old Joe back to the past to be killed by his younger self. Remember the old “If you could go back in time and kill Hitler as a baby, would you do it?” question? That’s Old Joe’s quest in a nutshell. How could you be opposed to that? He is clearly the hero at this point in the movie.

I sometimes want to do this to my younger self.

But Old Joe falls from the heroic path with relative ease. When they’re sitting in the diner, Old Joe tells Young Joe that he wants to kill the Rainmaker in order to save his wife in the future. But Old Joe refuses to show Young Joe his wife’s photo when Young Joe says that if he see it, he’ll make sure he never talks to her when he sees her for the first time in Young Joe’s future/Old Joe’s past. If they never meet, they’ll never marry and she won’t be murdered. Sure, Young Joe isn’t doing this to be altruistic. Young Joe hates Old Joe. He sees his living as being a block to his future happiness. If he can kill his future self, maybe Young Joe can get back in good with his mob employers. Old Joe won’t let him see his wife’s photo. Old Joe wants it all. He wants to kill the Rainmaker as a child and change the future, but he also wants to hold onto his personal future with his wife. If he was truly selfless and concerned with his wife’s safety over his own, he would show Young Joe his wife’s picture. Old Joe does have a good motivation for this. He views his wife as his savior. With her help, he kicked the junk, mellowed out and found true happiness for the first time in his life. He can’t picture his life without his wife.

The far more damning act to Old Joe’s heroism is when Old Joe kills the first child. Director Rian Johnson used a much more interesting take on the “Would you kill Hitler as a baby?” question when he added in the twist that Old Joe has it narrowed down to three possible children that may grow up to become the Rainmaker. “Would you kill up to two innocent children if it meant also being able to kill Hitler as a child?” is a much harder question to answer. I liked that Old Joe was clearly pained by his killing of the first child. It stopped him from losing all sympathy and just coming across as a complete Terminator-esque monster. But he’s definitely on his way to being a monster.

The second child on Old Joe’s hit list turns out to be the daughter of Suzie, the stripper/prostitute that Young Joe is infatuated with at the beginning of the movie. Young Joe cares for Suzie. He offers Suzie enough money to take care of her and her kid. But Old Joe is perfectly willing to kill Suzie’s child if that prevents the Rainmaker from coming into being. Old Joe does pause at first when he realizes his next target is Suzie’s child, but decides to go through with it. At this point, he knows that Young Joe is guarding Cid, the final child, on the farm. If he still cared for Suzie, he could save Suzie’s child for last. If Cid is the one destined to be the Rainmaker, then Suzie’s child won’t have to die if he changed up the order of who he kills. But doing so could put his mission into jeopardy. Old Joe sees himself as having a much higher chance of success killing Suzie’s child here than he does succeeding at the farm. I think Old Joe realized there was a very good chance he wasn’t returning from the farm, and that infiltrating the city a second time would be difficult, so he decides to kill Suzie’s child now to play it safe. It’s only Kid Blue setting of a trap for Old Joe in Suzie’s apartment that keeps Suzie’s child alive.

When Young Joe arrives at the farm, he hasn’t undergone his heroic transformation yet. He’s there to kill Old Joe when Old Joe shows up. He even tells Sara that he doesn’t care at all about her or Cid. His interactions with the two of them, and his viewing of Sara’s motherly love for her son does awaken something inside Young Joe. When Sara stands between Old Joe and Cid, willing to sacrifice herself for her son’s survival, something is awakened in Young Joe. Previously, Young Joe would help people as long as it didn’t cut into his well being. But Sara’s love for Cid inspires him to make the ultimate sacrifice. He shoots himself point blank through the chest in order to prevent his future self from killing an innocent woman.

In Old Joe’s defense, this kid is seriously creepy.

In that moment when he shoots himself, Young Joe explains that he realized Old Joe would be creating the Rainmaker instead of preventing him from existing. Cid would escape, embittered by the loss of two mothers and use his smarts and powers to become the Rainmaker. By killing himself, he’s both saving Sara’s life, and the hope that she can raise Cid right so that he doesn’t grow up to be the Rainmaker.

But did Young Joe really prevent the Rainmaker from coming into being by killing himself? Remember, in the original timeline, Young Joe grows up to become Old Joe after successfully closing his loop as originally intended. Old Joe is originally never given the chance to orphan Cid, so Joe isn’t integral in Cid becoming the Rainmaker. But, here is why I think Young Joe succeeded. At the end of the movie, when Sara and Cid reunite, he calls her mom. Before this, he’s always called her Sara, never acknowledged her as his mother, and told Young Joe that she’s a liar. But something changed when Sara stood between Old Joe and Cid, and Young Joe sacrificed himself. That change of calling her mom instead of Sara is tiny, but it’s huge. Sure, something could happen down the road that causes Cid to fall to the dark side, but at this moment, he has the best chance of growing up a hero instead of a villain. His powers and his outbursts make him a scary child, but he tells Young Joe he wants to protect people. I think Cid is now on the path to becoming more Superman and less Lex Luthor.

You know what would be really messed up? If it was Suzie’s child all along.

At some point before he becomes Old Joe, Young Joe apparently becomes Neo.

In a different (and I also think worse) movie, Young Joe and Old Joe would team up to take of the mob of the future down in Young Joe’s present. Instead, Rian Johnson has given us a much richer experience with his Looper.

The Dark Knight Rises (At The Theater 2012 #9)

Yes, yes, yes. I loved The Dark Rises. This was my most anticipated movie of 2012 and it did not disappoint at all!

I loved it so much that I watched Batman Begins and The Dark Knight again back to back shortly after seeing The Dark Knight Rises.

Thank you, Christopher Nolan. This trilogy has been amazing.

Anne Hathaway is definitely the sexiest Catwoman since Julie Newmar. I wasn’t sure what to make of her being cast at first, but she was perfect in DKR.

We can all pretend the Halle Berry movie didn’t happen now, right?

Tom Hardy as Bane was awesome. I loved how well he communicated without saying a word. I loved his voice. I’m very glad they didn’t go with Bane’s traditional wrestling unitard and pants costume from the comics. I’ve always found that costume to be ridiculous looking.

I really glad they didn’t go with this look.

I loved Bane’s jacket in Dark Knight Rises. Seriously, where can I get that jacket?

This jacket will be my closet’s reckoning.

Random thought: Is it me, or does Matthew Modine look a little too much like Aaron Eckhart? When he came on screen, I thought, “Didn’t you get horribly disfigured and die in the last movie?”

SPOILERS BELOW!


IF YOU DON’T WANT TO BE SPOILED, COME BACK AFTER YOU WATCH THE DARK KNIGHT RISES!

I really liked how Nolan mirrored scenes from Batman Begins in Dark Knight Rises, like when young Talia climbs out of the prison. It looked just like young Bruce’s ascent from the cave as a child.

Speaking of Talia, I called Marion Cotillard as Talia fairly early on. She was always being put in situations where if she was a villain, it would be very much to her advantage. Like, “Oh hey, here’s where we keep our nuclear reactor,” and “Hey, can you let me know which truck the Geiger counter says to mark? Thanks.” I was happy to see I was correct and I liked her Danny Ocean-esque plan for getting back at Batman. My only quibble is with Talia’s death scene. It was such a silly looking “And now I’m dead” death.

I don’t think Dark Knight Rises was better than The Dark Knight, but The Dark Knight is my favorite superhero movie ever, so it’s tough competition. The Dark Knight Rises is a great end cap for the Batman saga.

I would very much like to see a new movie with JGL as either Batman or Nightwing. There are so many Batman rouges left that Nolan didn’t touch. I know Nolan says he’s done with Batman, but it would be great if he came back on as producer if he doesn’t want to direct. Give us JGL as Batman like when Dick Grayson took over for Bruce after Batman RIP, or give us JGL as Nightwing. Either would be awesome. That said, I doubt it will happen. I think the next time we see a Batman movie in the theater, it will be a whole new franchise, in a whole new continuity.

That said, this would be all kinds of awesome.

At The Theater 2011 #12: 50/50

Wow, 50/50 is good, damn good. I think it is safe to say that if Joseph Gordon-Levitt is in a movie, you should go see it. Look at the list of movies he’s made over the past 10 years: Brick, The Lookout, (500) Days of Summer, Inception, and now 50/50. These are all great movies. Sure, he was Cobra Commander is the horrendous G.I. Joe: Rise of Cobra movie, but that exception aside, I think it’s time we all embrace the rule that if Joseph Gordon-Levitt is in a movie, we need to see that movie.

Not to discount Seth Rogen in 50/50. Rogen plays his usual, funny self, and with good reason in this movie. 50/50 is a semi-autobiographical movie written by a friend of Rogen’s and Seth Rogen’s character in 50/50 is largely based on Seth Rogen in real life.

This might be my favorite scene in 50/50.

Anna Kendrick is super cute in this movie. We need more movies where Anna Kendrick is super cute, which basically means more movies with Anna Kendick.

Super cute.

Going into 50/50, I was warned that it is a very depressing movie. After seeing it, I don’t think that depressing is the right term. Adam, Joseph Gordon-Levitt’s character, is put through some major ordeals throughout the course of the film, but I found the movie to be a very uplifting tale about the life of a cancer patient. Granted, there are some very sad parts in the movie, but calling 50/50 depressing is like calling Philadelphia depressing. That said, you might want to bring a travel pack of tissues with you into the theater.

50/50 is my favorite movie so far this year, and I feel it’s going to be a hard task for another movie to unseat it. If you haven’t seen it yet, I implore you to go do so. It is that good. Movies tickets are getting pricey these days. Spend your hard earned cash on great one.

At The Theater #26: Inception

SPOILER WARNING – I’m going to talk about Inception in detail here, including the ending. If you haven’t seen the movie yet, you might want to skip this post until you see it.

Inception is a total mind-fuck. I think this was well expressed by the audience at the theater where I saw it. As soon as the credits rolled, there was a loud wail of anguish from people in the crowd. This wasn’t the same wail of anguish you’d hear at a Last Airbender screening; it wasn’t coming from a poor quality standpoint. The camera just stays on that damn spinning top for so long, then it starts wobbling and…black.  Was Leo awake? Was he still dreaming? To quote a teen in the lobby after the movie: “Christopher Nolan must die!” Again, I think this was coming from a different place than when that was said about M. Night Shamalan from teens after seeing a different movie across town.

 Random Thought #1: The snow-scape dream fortress looked a lot like the sniper board in Metal Gear Solid for the PS1. 

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I really liked Inception. It was like a combination of Lost’s sideways reality, The Matrix and The Sixth Sense. For a very exposition-heavy movie, I think Nolan did a good job of interspersing the exposition so that Inception didn’t feel weighed down by it.

I liked the open-ended ending. At first it looked like that top was going to keep spinning forever and he was still dreaming. But then it starts wobbling and I really hoped it would fall down, because I wanted a happy ending for the guy. But it ended before we could get our answer. Does it even matter? Leo walks away from the top before it stops spinning. It’s as if he said, “this is my real world,” reunited with his kids. If you wake up in heaven, do you question it? Leo risks everything to return to his family, and in the end he’s satisfied that he’s reunited with them to the point that he doesn’t even glance back at the top. But we do. Not that we have a choice, the camera is staring right at, spinning and wobbling away.

 Random Thought #2: Joseph Gordon Levitt in this movie has caused me to want to start wearing vests.

I want to see this movie a second time, largely to watch the wake-up scene on the plane again. I don’t remember what the order was of people waking up. Maybe that gives us some clue as to whether or not Leo was actually awake in the end. Was he the last one to wake up? If he wasn’t, I think would lean heavily towards him being still asleep. Everyone else should have made it out of the dream before him, right?
Inception reminded me a lot of The Matrix, to the point that I’m really hoping they don’t mess up any sequels the way that the ball was completely dropped with the two Matrix sequels. Then again, I have faith in Christopher Nolan. The Dark Knight was my favorite movie of 2008, so I know the guy can do sequels well. But really, I can’t even see where you’d go with this movie in a second one. It works so well on its own. We don’t need Inception 2: The Search for Leo.

Tuesday Night Movies is on a road trip! We saw Inception at Reel Pizza in Bar Harbor, Maine. I love this movie theater. This might be my favorite movie theater. It’s this or LA’s Arclight.

What makes Reel Pizza so great? Basically, it’s the concession stand. While other theaters have branched out from popcorn and candy to include nachos and pretzel bites, you can order pizzas at Reel Pizza. The topping list is extensive. Don’t feel like pepperoni tonight? Why not go for mussels, artichoke hearts or goat cheese? Need something to wash it down with? How about a beer? That’s right, beer. And it’s good beer too. They offer Guinness and selections from local breweries, all for cheaper than what a Bud Light would run you in NYC.

The two theaters were designed with the concession stand in mind. Each row of seats has a counter in front of it to put your pizza tray and beer. The first three rows of taken up by couches and easy chairs. These seats are usually the first to go. TV trays are available for viewers lucky enough to snag these seats. When your pizza is ready, a BINGO board on the side wall silently announces your number to let you know that your pizza is waiting for you in the lobby. They even throw an intermission into each movie so that you can grab another beer, or if you’re hungry, another pizza.

 The Reel Pizza bingo board of pizza readiness.

I haven’t been to Bar Harbor without going to Reel Pizza. If you’re there, it’s a must-stop-at destination.