The Quest for Sketch

Anyone who has attended a comic book convention with me in the last decade and a half knows that my favorite thing to do at conventions is get sketches from my favorite artists. The recent blank sketch cover phenomenon is the best/worst thing to happen to me. It’s the best because I love them! How cool is it to get a one-of-a-kind cover drawn just for you on a comic? It’s the worst because I have WAY TOO MANY that are still blank. Between NYCC And SE:NYC, I can get maybe 2-4 sketch covers drawn on each convention, depending on time, price and artist availability. I have well over 30 blank sketch covers sitting in my apartment. That’s years of conventions to get them all illustrated, and that’s if I stop buying new ones cold turkey (Spoiler alert: That ain’t gonna happen).

Anyone who has attended NYCC with me knows that I cannot let a NYCC go by without getting a sketch from Tood Nauck. I’ve been a fan of Todd’s since I first encountered his work in the late 90s on Young Justice (which is an awesome series that you need to track down and read). When Secret Wars: Age of Ultron vs Marvel Zombies #1 was released with a blank sketch variant, I broke my “No More Blank Sketch Covers” rule, because I knew exactly what I wanted on that cover and who I wanted to draw it. Half Ultron/Half Zombie Ultron in full color by Todd Nauck.

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Spider-Man is my all-time favorite superhero. I have a Spider-Man sketchbook that is, surprise, surprise, filled with sketches of Spider-Man. I have slowly been filling in the Spider-Man sketchbook since _______. It currently has ____ drawing of Spidey in it, including the four I added this year.

At Special Edition: NYC this past year, I managed to get a sweet Spider-Gwen sketch on a Spider-Gwen #1 blank variant cover from Invincible artist, Ryan Otley. But what I really wanted was an Otley Spidey in my sketchbook. One problem – I left the sketchbook home that day. Thankfully, Ryan came back to NYC for NYCC and was doing sketches. Spider-Man sketchbook in hand, I walked away with this beauty this weekend.

Do you follow Des Taylor on Instagram? Do yourself a favor and go follow him right now. My biggest regret about NYCC 2014 was being unable to find his table and get a sketch from him. His table was somewhere out on the show floor. I still have no clue where he was located. Thankfully, this year he was in Artist Alley and very easy to find. Check out this Spider-Man and MJ I commissioned from him.

I love Phil Noto. I have wanted a Phil Noto Spider-Man in my sketchbook for years. I kept missing out on getting a sketch from him, but on Saturday, I rushed right to his table in Artist Alley as soon as the doors opened, and was first in line for a sketch. Yesssss!

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I saw a friend in Artist Alley and said hi. He pointed down to the table in front of us and said David Lloyd was doing sketches for only $5. David Lloyd!!! David Lloyd is a legend! He’s the artist on V for Vendetta. Five bucks?!? I couldn’t pass this up. And now I have a David Lloyd Spider-Man in my book.

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If you ever get the chance to get a sketch from Yanick Paquette, I highly recommend it. He doesn’t use pen and ink for his convention sketches, but rather paints gorgeous illustrations in watercolor. Here’s the Batgirl of Burnside I purchased from him on a blank Batgirl cover.

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When I first met Breno Tamura, he helped me stop an art theft from Ivan Reis and Joe Prado at NYCC 2012. I’ve been following his career since 2013, and man, like Des Taylor, he is another artist to follow in Instagram. His style has been evolving over the past few years, and it’s been a pleasure to watch his talent progress. DC and Marvel, HIRE THIS GUY! Here’s the 70s era original five X-Men sketch I bought from Breno this year.

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On top of these sketches, I scored a VERY sweet piece of original artwork at Saturday’s Charity Art Auction. I can’t wait for SE:NYC and NYCC in 2016 to see what sketches I’ll come home with then!

Tuesday Night Comics Podcast – Attack on Titan by Scott Snyder and Gail Simone?!? And More From NYCC!

Billy is all alone this week, and he’s talking NYCC! Plus, he reviews Invincible Iron Man #1, Dr. Strange #1, Amazing Spider-Man #1 and more. Plus, The Twenty!

What did Billy think was the biggest news to come out of New York Comic Con? Hint: it involves Scott Snyder.

Tuesday Night Comics Podcast – Episode 24

Billy records alone! It’s just Billy on the week on the Tuesday Night Comics podcast. He gives you his picks for the new comics he’s most excited about for the week of June 18, 2014, talks about Miracle Man: A Dream of Flying and Brian Woods’s Star Wars, and recaps this weekend’s big comic book convention in New York City, Special Edition: NYC.

Speaking of Special Edition: NYC, check out this awesome Spider-Man sketch I bought from Marcio Takara!

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Don’t worry, Dave fans. Dave will be back next week.

Brazilian Breakfast Club

This past summer, Bleeding Cool ran a story with the headline Get a Brazilian Breakfast With Ivan Reis and Joe Prado at NYCC. The article talked about an art book called Ícones dos Quadrinhos (Comic Book Icons) being crowdfunded on Catarse. Catarse is like a Brailian Kickstarter. The book sounded cool. It had illustrations by 100 different artists. Each of the artists drew one of their favorite characters from their childhood. One of the support levels included a “Brazilian breakfast” with Ivan Reis and Joe Prado, a hardcover copy of Ícones dos Quadrinhos and sketches from Ivan and Joe in the book. Needless to say, I was intrigued. Not only are Ivan and Joe two of my favorite artists in the comics industry, but at NYCC 2012 I helped thwart a big art theft at their tables.  Also, for years I’ve wanted a Hal Jordan sketch by Ivan, but have never been able to get one. Here was my chance!

I jumped to support the project. The Brazilian Breakfast option was limited to 6 people, and I figured that with Bleeding Cool running this story, it would sell out quickly. The price looked steep initially at R$500, but thanks to the magic of exchange rates, R$500 at the time turned out to be only about US$210. I was the first person go for the breakfast option.

When Bleeding Cool posted about the project, it was in its final day of crowdfunding. I figured the breakfast (and sketches!) at NYCC would be too hard to pass up and the other five spots would sell out quickly. Because of this, I was very surprised when I checked back on Catarse throughout the day and saw that no one else had gotten in on what to me was a tremendous deal. Later that day, the crowdsourcing period ended, and I was the only one who had signed for the Brazilian Breakfast.

WHAT?!?

Seriously, how did not one other single person decide to get in on this? I cannot put into words how excited I was. Getting breakfast with Ivan, Joe and 5 other fans would have been cool. But just me? AWESOME.

When I told a friend my news, he asked “What’s a Brazilian breakfast entail?” I said I wasn’t sure. “It sounds like a weird sex act,” he said. “I think you just signed up for a 4-way with these guys,” he added.

Shortly before NYCC , Ivan Freitas Da Costa, the man behind Ícones dos Quadrinhos, got in touch with me to coordinate when and where we’d meet up for the Brazilian breakfast. As it turned out, the Brazilian in Brazilian breakfast referred to the company I’d be in, not the food (also, thankfully, not the sex act). We we agreed to meet at the Market Diner near the Javits Center at 8 AM on Thursday morning, the first day of NYCC. Because they were all operating on a tight schedule, Ivan Freitas Da Costa told me to get to the restaurant by 8 AM sharp. I arrived at 7:45.

Since I was the first one there, I grabbed a table for four. Shortly thereafter, Joe and the two Ivans walked in, along with two other guys. Looking at my four-man booth, I immediately thought we’re going to need a bigger boat. The two other guys turned out to be Daniel HDR and the Brazilain giant from the art theft story from last year, whose real name it is Breno Tamura. I’m glad Breno came to the breakfast, as he had become such a mythical figure in mind from the way he apprehended the thieves last year.

After we moved to a larger booth, sat down and introduced ourselves, I mentioned that I had met Ivan, Joe and Breno last year when I helped stop the theft at their table. The table erupted. Joe Prado exclaimed “I knew I recognized you when I walked in!” Joe, Ivan, Breno and I related the art theft story from our different points of view to the other guys at the table.

Ivan Freitas Da Costa presented me with my copy of Ícones. If I could only use two words to describe this book, they would be gorgeous and huge. The art is printed on thick, high quality paper and really pops off the page. Opposite the art is a text piece by each artist, presented in both Portuguese and English. The book really is big. It’s about the size of a DC Absolute Edition, which definitely helps show off the artwork inside. You can tell just by looking at it that it was a passion project. This book is very limited. If you can get your hands on one, I definitely recommend doing so.

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The cover and slipcase to Ícones dos Quadrinhos. This book is gorgeous!

It was cool getting to hang out with all of these artists in such a casual environment.  They’re a tight knit group, some of them having known each other for 20 years. Ivan Reis, Joe and Daniel told me the stories about how they each broke into the industry. I didn’t realize that Ivan Reis’s first pairing with Geoff Johns wasn’t at DC, but was at Marvel, during Geoff’s Vison limited series from 2002. It’s amazing to think this iconic pair has been working together for over 10 years now.

During breakfast, Ivan Reis drew a Green Lantern logo on a bottle of Tabasco and signed it. He then reached for the mustard and began doodling on that. Pretty soon, all the artists at the table were drawing comic book character faces on all of the creamers.

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After everyone had drawn on something, Ivan Reis handed me a pen and said, “You do one.” I’m no artist, but I managed to draw a half-decent Spider-Man face on a creamer. Ivan Freitas Da Costa took a picture. He posted to Facebook that Ivan Reis was doodling on condiments at the Market Diner. No joke, less than 5 minutes later, two very fan boy looking dudes walked into the diner all wild eyed, spotted our booth and immediately sat in a booth near ours. I leaned over and said, “I think those guys are here for the condiments.”

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The Legion of Super Condiments

Ivan, Joe, Ivan, Daniel and Breno are all super cool dudes. There was a lot of laughter at our table during our breakfast on the first morning of New York Comic Con.  If you get a chance to meet these guys at a convention, do it. Each of them are awesome.

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Ivan Reis signing his Astro Boy illustration in Ícones dos Quadrinhos.

After we finished a very good breakfast (thumbs up to the Market Diner’s Leo Omelette), and got back to chatting, Ivan and Joe each drew sketch for me in my copy of Ícones dos Quadrinhos. I asked Ivan for a Hal Jordan Green Lantern and Joe for a Hal Jordan Black Lantern.

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As he was finishing up his sketch, Ivan pulled out a silver pen and began crosshatching in the background. Ivan then said, “3D cover!”  We laughed. The two sketches by Ivan and Joe look amazing. They are on opposite pages and mirror each other. Ivan gave his Hal a word balloon that said “Thanks for saving my covers!” and Joe gave his Hal a word balloon that said “Thanks for the save, brother!”

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As we left the diner, one of the guys in our group turned back and yelled “Those guys just grabbed the condiments!” Apparently, they didn’t even wait until we were all completely out the door before pouncing. Ivan Freitas Da Costa joked that we’re going to see “Ivan Reis Tabasco” on eBay. With a wry smile, I said, “They didn’t get the Tabasco.”  I opened my sport coat to reveal the Tabasco bottle that has the ability to overcome great fear. There were howls of laughter. I’m glad I grabbed the Tabasco bottle on my way out of the diner, but I did feel weird about it. These were the guys whose artwork I stopped from getting stolen last year. Now I was showing off a purloined bottle of Tabasco in front of them.

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If you’re the guy who took the Spider-Man creamer thinking it was drawn by Ivan Reis, sorry.

I walked the guys back to their hotel before heading back to Brooklyn to get ready myself. We were still hours away from NYCC officially opening to the public (though there were people lined up at that Javits that drizzly morning at 9 AM waiting for the doors to open at 3 PM). When we made our goodbyes, Joe asked if they’d see me at their tables. I said, “Of course!”  I don’t know if you saw it, but the Brazilian artists basically took over the F aisle in Artist’s Alley this year. During the show, I started calling their row Brazil.

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It’s funny how fate has linked me to Joe Prado and Ivan Reis over the past twelve months. From the art theft last year to breakfast this year, it feels like things have come full circle. Thank you Joe, Ivan, Ivan, Daniel and Breno. This breakfast really was the perfect start to my NYCC 2013.

Breakfast Club

Left to right: Ivan Freitas Da Costa, Daniel HDR, Joe Prado, Billy Henehan, Ivan Reis, Breno Tamura