Tuesday Night Comics Podcast Episode 35

It is an expensive week this Wednesday at the comic book store, comic fans! We have Death of Wolverine #1 coming out from Marvel, the first round of 3D Futures End covers from DC, and new issues from a host of regular books we’re digging, like She-Hulk. But it’s Giant-Size Kung Fu Bible Stories from Image that has Billy’s attention the most!

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Plus, Dave and Billy discuss their recent reads, and Billy comes to possibly the worst realization for a comic book fan to have.

 

Son of Batman – Review

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When it was announced that James Tucker was going to succeed Bruce Timm as the head of DC’s animated film line, I think people thought Tucker would succeed, but did they think he would succeed this well? Ladies and gentlemen, there is a new king in town. It started with Justice League: War, which quickly rivaled Under the Hood as my favorite DC animated movie. Son of Batman is even better. James Tucker is now responsible for two of the three best DC animated movies, or the two best, depending on which day of the week you ask me the question (Justice League: War and Under the Red Hood are so close! Might as well give them the tie for the #2 spot).

Ethan Spaulding directs Son of Batman. Judging by the quality of the movie, you would not think that this is directorial debut, but I believe it is. The first five minutes of the movie are immediately exciting. Far from Gotham City, R’as Al Ghul’s League of Assassins is under attack in their impenetrable mountain stronghold that turns out to be not that impenetrable. This fight scene is awesome! The first five minutes of the movie are worth the price of the DVD alone.

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Tim Drake is nowhere to be found in Son of Batman. His parts from the comic have been transferred to Dick Grayson, aka Robin I aka Nightwing.

But if I have any quibble with Son of Batman, it’s in this scene. It’s a minor quibble, but it’s so ridiculous it kind of makes my head hurt: the League of Assassins’ Gatling gun full of arrows. I don’t remember if the arrow Gatling gun was in the original comic book story. It’s something that I can see Grant Morrison writing; it’s that crazy, or it could be solely from the mind of the screenwriter. In this movie, the League are pretty much all ninjas. The invaders have guns, but the assassins in the League wield no guns, just swords, bows and arrows. You’d think a group called the League of Assassins would be up on the latest in assassination technology, they seemed to have stopped looking for new equipment somewhere around Feudal Japan. Except for the arrow Gatling gun. At some point, R’as must have been mighty impressed with the might of the Gatling gun and commissioned his own, but his was to fire only arrows. This special gun must have cost the League a lot of money; it’s no small task to say, “No, I don’t want this gun to fire bullets. I want it to fire arrows.” And R’as got his way. Arrows it did fire. Enough to knock helicopters out of the sky. I guess if you’re an immortal with wealth going back centuries, you’re allowed a certain amount of levity with how you choose to spend your money. I probably would have gone with grenade launcher that shot Fribbles, but that’s just me.

But I digress…

In case you’re not familiar with the premise of the movie, Batman has a son. Okay, I guess that’s there in the title. This isn’t some future story line; it takes place in the present. Years ago, R’as Al Ghul’s daughter Talia drugged Batman, had her way with him and secretly had his baby, whose existence she kept hidden for years. The fallout of the first five minutes of the movie lead to Batman’s now teenage son being dropped at the foot of the Batcave.

One of the coolest villains in the DC Universe, Deathstroke, is the main villain in Son of Batman. Deathstroke is an assassin who is blind in one eye. The DC Animated Universe gets its version of how Deathstroke was blinded in that eye in this movie…and…It. Is. Awesome.

Seriously, I want to gush about this movie more, but I don’t want to ruin it. Go rent or buy Son of Batman. It rocks.

Make sure to watch the movie all the way through the credits. There’s not a special end credit scene, but there is something very cool. Nightwing and Damian’s fight on the streets of Gotham is told in stills as the credits roll. In the movie, we see them encounter each other, and we see how it ends, so it’s cool to see the (very awesome) middle part here. If only they put that scene in the movie!

The bonus features have some Robin-centered Batman cartoons. I watched all of them and enjoyed all of them, especially the seeing the original Teen Titans on Batman: The Brave and the Bold.

Son of Batman is a very strong follow-up to Justice League: War, and really has me excited for the future of DC animated movies under James Tucker.

This review contains Amazon product links. Shopping at Amazon through these links helps to support this site. 

James Tucker Talks Justice League: War

After sitting down with Andrea Romano at NYCC, I had the chance to sit and talk with James Tucker about Justice League: War. As you may know, James is the new Bruce Timm at DC’s animation group. In other words, he’s the new head honcho.

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When asked if it was a smooth transition taking over for Bruce, James said it was. He elaborated, “He was outside smoking and said, “Hey, do you want to take over the DVDs?” and I went, “Sure.” It was that simple.  It wasn’t like a coronation or anything. I didn’t go into the throne room and he knighted me. It’s very casual at Warner Brothers. ” By the time the official announcement was made, James already had experience in the job. According to James, “When it was announced, I had already been doing the job for two years. We were working on War a year ago. I had been doing the job long before they announced it. He was working on Green Lantern. It was very smooth and not a big deal.”

Regarding the future of the DC animated movies, James said that from this point forward, we’ll be seeing a Justice League movie, followed by a Batman movie, followed by a Justice League movie, followed by a Batman movie. Having movies whose stories focus on specific characters set in the framework of the Justice League. James used Wonder Woman as an example. “With the way we’re setting it up, it’s easier for us to do a Wonder Woman featured Justice League movie, meaning the story has something to do with her, but it’s a Justice League movie.” If you’re wondering why, according to Mr. Tucker, it’s because, “Home Video thinks they can sell it better. Rather than doing standalones.  Because the Green Lantern movie didn’t do so hot. The Wonder Woman movie didn’t do so hot, despite what you see online about statistics. Pretty much Superman doesn’t even sell well. Sometimes it’s easier to focus on the character you want to focus on and in War, if you read the graphic novel, Cyborg gets a lot of the spotlight. Each movie will have one character who gets a lot of spotlight and the other characters will get…story development that will carry over to the next movie.”

In case you’re wondering what the next animated movie will be after Justice League: War, it will be a Son of Batman, based on the Grant Morrison Batman story that introduced Damian Wayne into the DC Universe.  The Son of Batman movie will be in continuity with Justice League: War. “It’s totally different from what Bruce and those guys had done before. I like world building, so it’s a nice opportunity to have continuity among the movies, and yet Son of Batman will feel totally different than Justice League. It’s kind of like comics in a way, in that they’re connected, but not connected. Justice League comics are totally different than Batman comics, yet Batman is in both. ” said James.

For fans wondering why Aquaman is not in Justice League: War, the reason that he was replaced by Shazam (I know, I know, Captain Marvel) in this movie is that DC is planning a Justice League movie centered around Aquaman! Aqua-fans rejoice!

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Shazam is replacing Aquaman in Justice League: War.

James walked me through some of the process of making these movies. When asked if he used the same animation studios for the Justice League and Batman movies, he revealed that DC has three different animation studios that “we float episodes to. Not one studio can do all the animation.”

When asked how Justice League: War would be different from past Justice League animated projects, such as Justice League: Unlimited, James said, “I worked on Justice League with Bruce and Justice League: Unlimited and I didn’t want to go back and do exactly that.” He elaborated, “When I read the New 52 Justice League, I could see see they were trying to break down the Justice League and make it something where you could not instantly know what to expect. We took that aspect and ran with it and pushed people’s personalities into different areas.” Comparing it to the Bruce Timm Justice League cartoon, James said, “If the fans are expecting a carbon copy of the TV series, they’re not going to get that. It’s going to be a little edgier and definitely more violent. It’s not Superfriends. Even the old Justice League cartoon show was kind of Super Friends, if it’s Friends the TV series with Jennifer Anniston. It was about relationships. This is more like a big movie, and their personalities are more edgy. They’re all new to it. They’re all trying to figure out how to be their own individual heroes. Some of them have codes about not killing. Others don’t. There’s all these areas of conflict we have that we didn’t normally address in the earlier versions of the Justice League.”

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Expect Wonder Woman to use the sharp edge of her sword in Justice League: War.

Describing the state of superhero cartoons on TV, James was very blunt. “It’s a different climate for superhero action shows,” he said. The abrupt cancellation of Young Justice was cited. “I don’t think (Young Justice) was a great fit for Cartoon Network. They got caught in a situation where things are changing in the climate on television for animated things. They’re finding action in general is not doing as well on kids networks. A show like that would have been great for Netflix. That might be the next place for a show like that,” James said. Please note that this interview was conducted before Marvel announced their deal with Netflix. James seems very bullish on the Netflix model. He said, “As far as binge viewing, I think a show like Young Justice, Justice League too, will do well and I think that’s the future. I welcome it.” James went on to explain why he liked it so much. “You won’t have the same restrictions. You can do a limited miniseries. You can tell a really controlled story. You don’t have to worry about selling toys. The industry is all wondering what Netflix is going to do next.” With Marvel’s recent deal with Netflix, it will be interesting to see where DC and Warner Bros pursue their streaming model. Maybe Amazon Prime? Or Hulu Plus? We do know that James Tucker is in the driver’s seat at DC Animation and he likes the streaming model, whether it’s Netflix or elsewhere.

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Will Netflix be the future home of DC superheroes?

James would like to incorporate lesser used characters into the animated movies. James said, “My goal for all the Justice League and Batman movies is to include at least one character who hasn’t appeared either on television or in the films.” When asked if there were any plans for Batgirl, say maybe Batgirl: Year One, James said that he would definitely like to do a Batgirl-centered story, but it probably wouldn’t be Year One. “The truth is, that’s not going to sell. I hate to say it. For whatever reason, they have a hard time selling that kind of stuff. Granted, that could (work) on Netflix. The thing about Netflix is that it’s open to niche markets. You could do something for a smaller group and not have to worry about selling units.

Justice League: War comes out on February 4, 2014.

Andrea Romano Talks Justice League: War

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Justice League: War is the next release in Warner Bros Home Video’s line of direct-to-DVD animated movies featuring DC superheroes. The official release date is February 4, 2014. I expect that Best Buy will once again have an exclusive version of the DVD that comes packaged with a mini-action figure. There has been no word yet as to what that figure will be. My guess is on Cyborg, since his origin story makes up a large portion of Justice League: War. If not him, then Darkseid, the main villain of Justice League: War.

At New York Comic Con this year, I had the chance to sit down with casting director Andrea Romano about Justice League: War. Andrea and DC animated projects go back. She’s the woman who originally cast Kevin Conroy as Batman in Batman: The Animated Series. Since then, she’s cast Batman enough times to lose count as to what the actual number is. “I’m looking for someone to tell me how many times I cast Batman. I think it’s somewhere around 17.” said Romano.

Justice League: War is the first of DC’s animated movies set in the New 52 universe. For those unfamiliar with the New 52, in 2011, DC rebooted their entire line of comic books, calling the new universe and continuity the New 52, which was the number of titles DC put out that month. Origins and costumes have been modified and modernized. When asked if she approached casting for Justice League: War differently than how she cast prior movies, Andrea said “(It was) pretty much the same process. We all looked for the best possible voices.”

I asked Andrea if there was a mandate from on high this time about not repeating voices. Andrea said there was, but that it changes every film. Andrea elaborated, “My first question on every job is can I use people I’ve used before? May I use Kevin Conroy? May I use Mark Hamil?” Sometimes the answer is yes, and sometimes they want her to have an all-new cast. According to Andrea, sometimes a change in visual style or the use of a different color palette from a previous project will lead to the decision to work with a new cast of actors.

Bruce Timm handed the reins of the DC animated movies to James Tucker in order for Bruce to focus on other projects. When asked how working with James Tucker compared to working with Bruce Timm, Andrea said, “I love working with both of them. I worked with James on Brave and the Bold and many other projects in the past, so I knew him. Bruce and James have very much the same mindset on the way they think things need to be depicted, and the way they want it to look and sound. It’s kind of a seamless transition. James is great. I love both of them.”

Andrea walked me through the production time line for a project. She explained, “There’s lots of time limits. The script is written. Then I do casting and voice directing. Everything then takes its cue from there, so if I’m late, everyone else is late, and that’s not good. We have to deliver by a certain date. Even though we might deliver this now to Warner Home Video, it may not release for another six months, but we still have to deliver it. And if we don’t deliver it, we’re fined, because they have plans for it. They have to promote it. They have to get footage out there.  If I’m late, the next step gets late, then the next step. I’m at the end doing the ADR, so I’m impacting my own schedule, because I have less time. And when I use celebrities, trying to get them in to their ADR, I’m working on Saturdays, I’m working on Sundays, I’m working on holidays just trying to get it done so that I can get it in to the mix, so I that I can deliver on time. Production takes about a year and a half to make, start to finish, and then it may sit another six months before it’s actually released.”

In regards to specific casting, Andrea was very high on casting Shemar Moore, from Criminal Minds, to play the part of Cyborg. “There are always actors I watch on television shows or films that I keep a list of, that I want to find a role for.” said Andrea. Shemar was one of them. Andrea went on to say “It’s his first time ever doing voice animation. You would never know it how good he was. Really good.” She shared a funny anecdote about Shemar’s recording session. “It took a lot of screaming in that particular role, because he’s almost killed. If you watched the Emmys…he was doing a couple of interviews; he had worked for me that day. I was like, “Shemar, I hope I haven’t destroyed your voice for the night.” Because he just did all the ADR for him. I was like, “Oh lord, I hope I didn’t wreck you for the night.” But he was good.”

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Andrea also shared a story of voice direction gone bad. “We do so many of these projects simultaneously where we are doing post production on something, casting the next one and recording for one. When I directed this piece, I had forgotten that it’s really the Justice League origin story. When I was directing Alan Tudyk as Superman, I was directing him incorrectly.” How? “I was directing him as playing it kind of the hands on the hips, arms akimbo, secure. But he wasn’t that yet. The character hadn’t grown to that yet. After we animated it and I got the track back, I went, “Oh, I screwed up.” I had to go back in and ADR his first lines of the piece, making him sound more innocent…It was very interesting to make that change because to me, they’ve always existed forever. But it was the origin story. I forgot.”

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When asked if she wonders why Warner won’t release DC animated movies on the big screen, Andrea replied, “I wonder that often.” She said she was happy with the way Batman: Mask of the Phantasm turned out. Andrea elaborated, “When you make something intended for the small screen, if there are flaws, no one is ever going to see it. Of course, when we made that (Phantasm), people didn’t have 56″ flat screen TVs to watch. But you put that on a big, huge feature film screen and (you) see all those flaws. That film did really well in that there were no many flaws that showed up.”

Possibly the greatest thing about talking to Andrea is that you get a real sense of her high energy and enthusiasm for every project. I expect her to be casting Batman, and the other heroes of the DC Universe, long into the future.

Justice League: War will be released on February 14, 2014.

Batman: Year One – Review

5/5 – Perfect adaption of THE Batman origin story.

Batman: Year One might be my favorite comic book story ever published. Like Batman: The Dark Knight Returns, it’s a story that I’ve come back to year after year and it’s never felt old. When I heard that DC was planning an animated adaptation of Year One, I was a bit worried. Would they change the story? Would they stay true to Mazzucchelli’s line work or attempt update the art style?

My worries proved to be unfounded. Bruce Timm and Andrea Romano have once again put together the pieces to make a great animated movie. Batman: Year One should be considered a must-see for any Batman fan. I would also say that Batman: Year One, the comic this movie was based on, is mandatory reading for any Batman fan. After hearing Bruce and Andrea talk at New York Comic Con, and seeing the quality of Year One and Batman: The Dark Knight Returns, Part 1, I’m very excited for everything coming down the DC Animated pipeline.

This movie shows Batman at his most fallible. He’s inexperienced and unsure of himself. He doesn’t have the super computer, all the fancy gadgets (though he does have some), the fancy car or the network of crime fighting colleagues to call upon. It’s cool to see Batman make mistakes, like when he attempts to foil a home burglary. And I was very happy to see that the coolest scene from Year One, which was also used in Batman Begins, was kept in the animated movie, namely Batman calling the cloud of bats to come to his aid when fleeing the Gotham PD.

Batman: Year One is much Jim Gordon’s story as it is Bruce Wayne’s. This isn’t only Batman’s first year in Gotham. It is also Gordon’s first year there as well, after uprooting from Chicago with his pregnant wife. The Gordon presented in Year One is unlike any Jim Gordon presented before. He’s trying hard to be an honest cop in a corrupt city full of corrupt cops and politicians. He’s not an infallible knight in shining armor though. He is full of pathos. He questions his decisions. You probably will too. But at the end of the day, he’s the most upstanding cop on the Gotham force. It’s interesting to watch Batman and Lt. Gordon do their dance, unsure if they can trust each other.

The Year One movie, like the Year One comic, accomplishes
 the amazing feat of making Jim Gordon as interesting as the Batman.

The only slight I have against the movie is the coloring of characters eyes. The whites of people’s eyes are the same color as the rest of their face. It’s not jarring when I see it in a still, but in the movie, I kept being distracted by it. I’m guessing the decision stemmed from wanting the animation style to match the book as much as possible, but I just found the flesh colored eyes to be weird.

I highly recommend watching Batman: Year One on DVD or Blu-ray. The special features included in it are great. There are two short interview-style featurettes, the first one focusing on the impact Frank Miller had on the Batman mythos. Miller doesn’t appear here himself, but a lot of other comic creators do, including Dennis O’Neil, Mike Carlin, Dan Didio and Scott Snyder. Producer Michael Uslan sits down with Dan Didio, Dennis O’Neil and Scott Snyder to talk about how Batman has changed over the years in the other featurette. Snyder, Didio and O’Neil each grew up during different eras of Batman, so it was very interesting to hear them talk about the differences and similarities of what defined Batman for them.

There’s also a Showcase animated short featuring Catwoman. I thought Eliza Dushku did a better job voicing Catwoman in Year One than she does here. In the short, she sounds stilted, as if she’s reading off of cue cards.

We’re coming up to the release of Batman: The Dark Knight Returns, Part 2 very soon. I recommend watching Batman: Year One and Batman: The Dark Knight Returns, Part 1 in anticipation of it.

Justice League: Doom – Review

5/5 Great adaptation of a great story

Like Batman: The Dark Knight Returns, Part 1, Green Lantern: First Flight and Batman: Under the Red Hood, Justice League: Doom is part of DC Comics/Warner Bros direct-to-DVD line of releases. It is based on a story from the JLA comic book called Tower of Babel.

Why the name chance? In the original JLA story, Ra’s Al Ghul builds a tower that will render all forms of communication on Earth useless. This titular plot point is dropped from the animated movie (as is Ra’s Al Ghul as the story’s villain), necessitating a title change. Not to mention that Doom sounds much more menacing.

In the animated movie, the immortal villain Vandal Savage gathers an Injustice League made up of villains of each member of the Justice League. It’s a 1-for-1 match. If Vandal Savage wanted a higher chance of success, I’m surprised he didn’t stack the odds in his favor by hiring three villains for each hero, seeing as he seems to have an abundance of resources. Hubris is clearly Savage’s kryptonite.

Clothing is Star Sapphire’s kryptonite.

If you were a fan of the Justice League cartoon from a few years ago, you will like the voice cast on this movie. Kevin Conroy is Batman. Tim Daly is Superman. Carl Lumbly is the Martian Manhunter (and also pulls double duty as the villainous martian Malefic). Michael Rosenbaum is the Flash, though here he’s playing Barry Allen instead of Wally West. Susan Eisenberg plays Wonder Woman. A big addition to the cast is Nathan Fillion as Green Lantern. Fillion played Green Lantern in Green Lantern: First Flight, so it was nice to see him reprise the role here.

If I were to nitpick any part of the film, it would be Mirror Master’s heist of the Batcave. The motion sensors didn’t detect him because he was in hologram mode, but that device he attached to the Bat-Computer wasn’t intangible. It should have set off alarms. Someone as paranoid as Batman would have his motion detectors set to detect something smaller than a human, right? Or maybe Batman has his motion detectors tuned to weed out small objects. Otherwise, the bats would be setting off the alarms constantly. In that case, ignore my nitpick.

Actually, none of the Injustice League is a fan of much clothing.

Overall, I liked this animated feature a lot. It kept the biggest aspect of the JLA: Tower of Babel story, namely that the Justice League is betrayed by one of their own. I wonder if Bruce Timm and Andrea Romano had to change the villain from Ra’s to Vandal Savage because Christopher Nolan was planning on using Ra’s in The Dark Knight Rises. At New York Comic Con this year, Bruce Timm mentioned that Nolan’s plans to incorporate parts of The Dark Knight Returns into his movies put on hold that particular animated film.

If Bruce and Andrea decide to go back to the JLA series for another animated film, I hope they base one on Grant Morrison and Howard Porter’s Rock of Ages storyline. I’m still not sure if I understood that story completely, but it was awesome! Green Arrow firing the Atom into Darkseid’s brain may be one of favorite comic book moments ever!

Andrea Romano Interview at NYCC 2012

I was able to sit down with both Bruce Timm and Andrea Romano at New York Comic Con this year to talk about Batman: The Dark Knight Returns Parts 1 and 2 and Batman: The Animated Series. You can read my Bruce Timm interview here.

Andrea Romano has been casting Batman for the past 20 years. “Somebody told me that I’ve cast Batman 13 or 14 times over the various different projects,” said Romano. She is one of the people responsible for the incredibly good casting of  Kevin Conroy as the voice of Batman for Batman: The Animated Series.
When Kevin Conroy came in for this audition int he early 90s, Andrea had already listened to 500 auditions for the role of Batman, and had auditioned 150 people in person herself. After Kevin’s audition,  Bruce Timm and Andrea looked at each other and said “We have found Batman.” In the two decades since Kevin Conroy began being the voice of Batman, people have come up to Andrea and told her that “For my entire life, I’ve heard Kevin Conroy as Batman.” Andrea knows the feeling. According to Andrea, “When I prep a script, regardless of what incarnation of Batman it is, when I’m preparing for recording, I hear Kevin’s voice. Even though it may be somebody else I’ve cast to play Batman, I hear Kevin’s voice. That sets the bar.”
Andrea described the casting of Batman as “incredibly hard.” But the benefit, according to her, is that “it’s a character you don’t have to pitch. You don’t have to go, “There’s a guy named Bruce Wayne, and he’s got this problem because his parents were murdered.” Everyone knows who he is.” She also pointed out that these actors may never get the chance to play him on camera and this could be their one opportunity to play him.
When asked about how Mark Hamill was cast as the Joker, Andrea said that Mark Hamill approached her. Mark had his agent call her saying that Mark wanted to be a part of the Batman series. Andrea first cast him as a guest. “He did a terrific job and was very much embraced by the crew. He was very generous with his Star Wars stories.” When they finished recording, he came over to Andrea and said, “I had a great time, but you don’t understand. I want to be a part of this series,” Andrea let on. At the time, Tim Curry had been cast as the Joker and had recorded a handful of episodes. Andrea was asked by her higher ups to recast him. On a side note, she mentioned that she is probably the only person who has an existing version of a Batman show that has Tim Curry in it playing the Joker. She decided to give Mark Hamill a shot. “He auditioned and was stunning,” Andrea said about Mark.
In Batman: The Dark Knight Returns Part 2, Michael Emerson, from Lost and Person of Interest, will be the one playing the Joker. When asked how she found him, Andrea said that she approached Michael at San Diego Comic Con and asked him if he would ever be interested in doing an animated project if the right role came up. “Then this came up and I said, “Would you like to be the Joker?” and he jumped on it.” said Andrea. According to her, Michael said this was the hardest work he’d ever done. “I think because it’s out of his wheelhouse.” Andrea commented. When they recorded Michael as the Joker, Andrea was in LA and Michael was in NY. It was the first time Andrea recorded via Skype, so she could watch him. “Because working with an actor when you can see them, as opposed to only hearing their voice is very helpful. And having them be able to see me so that I can direct them.” Andrea explained.
Regarding Peter Weller being cast as Batman in The Dark Knight Returns, Andrea said “If I can’t use Kevin Conroy, because I do love using Kevin Conroy whenever I can, Mark Hamill as well, this was a really good bit of casting.” She explained, “The thing is, Peter is a good actor in and of himself. I didn’t know he was a major comic book fan. He was really familiar with the source material.”
At New York Comic Con, publicist Gary Miereanu revealed that Conan O’Brien would be voicing talk show host Dave Endocrine in Batman: The Dark Knight Returns Part 2. When asked how it was working with Conan, Andrea said, “He was excellent. He was a pleasure to work with. There’s something that he has to do in this piece, which is when he gets hit with Joker gas, that laughing gas that hits people. It starts with a building laugh and then a big, big laugh and then it gets to that painful, I’m dying laugh. He did it in one take. It’s a long, long laugh. Both Bruce Timm and I were like, “You’re really good.” You have no idea how hard that is. Laughing on cue is one of the hardest things to do in voice over. It’s just really, really hard, and he just nailed it.”
When asked who’d she like to work with in the future, Andrea’s answer was Jon Hamm. “I think he’s a wonderful actor. He can do comedy, he can do drama and everything in-between. She also said she wants to work with Kyle Chandler, saying “I think he’s a terrific actor too.” And she would love to work with Glenn Close. “[Glenn Close] began her career in voice over. She was in The Legend of Greystoke, the Tarzan story. She completely dubbed Andie MacDowell’s voice. That’s not Andie MacDowell. That’s Glenn Close’s voice. She’s a terrific voice over actress, so I want to work with her.” explained Andrea.
Batman: The Dark Knight Returns Part 2 will be released on Blu-Ray and DVD on January 29, 2013.
Interview by Billy Henehan

Bruce Timm Interview at NYCC 2012

At New York Comic Con, I was able to sit down with Producer Bruce Timm and Casting Director Andrea Romano to discuss Batman: The Dark Knight Returns Part 1 and 2, and the enduring legacy of Batman: The Animated Series.

Bruce Timm and his team meet every week with people from Warner Home Video, DC Comics and Warner Brothers Animation in order to discuss everything that’s in production and what they might want to put into production. The idea of doing an adaptation of Batman: The Dark Knight returns was first brought up when DC began producing animated movies. There was some objection to it at the time, and they did other projects. The idea didn’t come up again until a couple of years ago, in between Christopher Nolan’s Dark Knight’s release and the start of production on The Dark Knight Rises. There was concern that Christopher wanted to use The Dark Knight Returns for The Dark Knight Rises, so they had to again, not move forward with an animated Dark Knight Returns movie. Later on, once The Dark Knight Rises was in production, DC said it was different enough from The Dark Knight Returns to do an adaptation. “I jumped on it,” said Bruce Timm.

According to Bruce, it’s tricky finding the right project to pitch. “Sometimes we’ll have a favorite Batman comic that we loved as a kid or a teenager, and we’ll throw the idea out, but not all of those make good movies.” He went on to explain that with the realities of the marketplace is that even with the tight budget they work with, the movies still cost X millions of dollars. “The Home Video people want a sure thing. That means you’re going to get a lot of Batman movies, a lot of Superman movies, a lot of Justice League movies. I’m hoping that something happens along the way that allows us to broaden our horizons and lets us do a Nightwing movie or a Batgirl movie, but what something might be, I don’t know,” explained Bruce. I asked him, if Arrow continues to be popular, will we see a Green Arrow animated movie? “Who knows? Maybe. Possibly. We’ll see.” was his response. That sounds hopeful to me, Arrow fans.

When asked if he was concerned bringing the politics of the comic to the film version of The Dark Knight Returns, Bruce said, “Fortunately for me, my takeaway from reading the original in terms of political mind view is that Frank Miller seems to hate everybody. You know? It’s not that he hates liberals or he hates conservatives.”

Bruce caught himself and said, “I shouldn’t have said that. Frank doesn’t hate everybody. I don’t think Frank hates anybody.”

(Just kidding, Frank)
In talking about the actual script for The Dark Knight Returns, Bruce Timm said that screenwriter Bob Goodman hit all the high points in his outline. After Bob turned in his first draft, Bruce made notes about important dialogue from the book that needed to be in the script, or an important moment that needed to be put in. “It’s a little back and forth, but it’s a complicated process,” said Bruce.
The art direction is also something that was labored over. “We wanted to make it as much like the source material as possible,but knowing we weren’t going to make it look exactly like the comic…It’s always a trick to find what are the most iconic looking things about the original art that makes it look like Frank Miller art and yet at the same time can also be translated into animation.” Bruce commented. They referred to the comic on every background, vehicle, location and color schemes. Their goal was to make it look like the original comic as much as possible. Finding an art style that worked was difficult. It was something they struggled with for weeks. It had to be true to the original, but still able to be animated. They even went back to the original model sheets from the Batman: The Animated Series episode that dealt with The Dark Knight Returns, but didn’t get any help from there. “They were too simplified.” said Bruce. “We put our nose to the grindstone, sweat more bullets and eventually came up with what we came up with.”
Our discussion turned to Batman: The Animated Series. When I asked if he had a favorite episode, he said, “No. Too many. I couldn’t narrow it down.” When I followed that up with if there was an episode he didn’t like or that he was really unhappy with, he responded similarly: “Oh, I have tons that I don’t like. Are you kidding me? Again, I couldn’t narrow it down either. Which one’s the worst? There’s too many.” When asked who his favorite Batman composer was, Bruce said “That’s like asking me which one of my kids I love best.” Naturally, I immediately followed up with, “Which one of your kids do you love best?” Without missing a beat, Bruce said, “My daughter.” and then went on to say, “That’s an easy one, because I only have one.”
Batman: The Dark Knight Returns Part 1 is available now. Batman: The Dark Knight Returns Part 2 will be released on January 29, 2013.
Interview by Billy Henehan.

NYCC 2011: Green Lantern The Animated Series Pilot Sneak Peak Review

The MTV Theater at New York Comic Con was packed on Saturday morning for the sneak peak screening of the pilot episode of Green Lantern The Animated series. If the pilot is an indication of the overall quality of this series, then Green Lantern The Animated Series can be described in one word, and that word is AWESOME.

The animation is stellar. Try to picture a mix of the CGI from Star Wars: The Clone Wars meeting the classic Bruce Timm style from the Batman, Superman and Justice League cartoons.

NOTE – There are spoilers in this post after this picture. If you’d rather not have anything spoiled, come back after you’ve seen the pilot.

When we first see Hal Jordan, he’s in a familiar predicament, namely crashing an expensive Ferris jet plane and immediately being called to Oa by the Guardians of the Universe. Right before he leaves, he agrees to pick Carol up for dinner that night. By the time we are halfway through the episode, it’s apparent that Hal will not be making dinner or to his day job at Ferris any time soon.

Interestingly, the villains in the pilot weren’t Sinestro’s Yellow Lanterns, but rather the Red Lantern Corps. Atrocitus is in the pilot and it was immediately evident, even when he was cloaked in shadow, that they have redesigned Atrocitus’s look for the series. It looks like The Animated Series versions of Atrocitus and Kilowog might come from the same home world. Kilowog mentions in the episode that his home world was destroyed. Atrocitus looked more like a leaner and meaner Kilowog than the Atrocitus of the comics. This makes sense from a storytelling point of view. Kilowog uses his grief over the destruction of his home planet to drive him to save others, while Atrocitus takes the opposite path of seeking vengeance from the Guardians, who he blames for his planet’s destruction.

On the right is Atrocitus from Green Lantern The Animated Series

I was very happy to recognize Kurtwood Smith as the voice of the Green Lantern that Hal and Kilowog attempt to save from the murderous Red Lanterns. Sadly, this will be the only episode featuring Kurtwood Smith’s voice. This series isn’t pulling any punches showing the Red Lanterns as a real threat. By the end of the episode, two Green Lantern rings were off in search of new wearers. I take that back; they did pull the Red Lanterns’ punch a little, as they no longer vomit flaming blood on their adversaries. The Red Lanterns do have a cool looking fiery glow surrounding them though.

After the pilot was screened, Bruce Timm fielded questions from both the moderator and the audience. When asked if the series would show Hal’s origin story, his answer was no. Bruce went on to explain the reasoning behind this, saying that between the recent Green Lantern feature film and Green Lantern: First Flight, we’ve seen Hal’s origin enough times. Bruce gave a noncommittal answer to whether or not we would be seeing the other Earth-based Lanterns, Kyle, John and Guy, but seemed to indicate in his tone and smile that fans should expect to see the other Earth Lanterns at some point in the series.

Whether you’re a fan of Bruce Timm’s DC cartoons or the character Green Lantern, especially the Green Lantern comic written by Geoff Johns, you will mostly likely be very happy with Green Lantern The Animated Series. Do not miss it when it premieres on Friday, November 11 at 7 PM on Cartoon Network!

Written by David Henehan